Fluxus Virus, 1962-1992 (1992) [English/German]
Filed under book, catalogue | Tags: · art, art history, fluxus, happening, intermedia, performance art
Catalogue of an exhibition held in Cologne, containing essays on Fluxus by Ken Friedman, Peter Frank, Ina Conzen Meairs, Wilfried Dörstel/ Reier Steinberg, Hannah Higgins, Karen Moss, Owen Smith, David Doris, Dieter Daniels, Ina Blom, Mariane Hoffan, Michael Erlhoff, James Lewes, and Manfred de la Motte.
Edited by Ken Friedman
Publisher Galerie Schüppenhauer, Cologne, 1992
ISBN 3926226285, 9783926226280
399 pages
via VP
For more on Fluxus see Monoskop wiki
Comment (0)Fluxus. Eine lange Geschichte mit vielen Knoten. Fluxus in Deutschland 1962–1994 (1995) [DE, CZ]
Filed under catalogue | Tags: · art, fluxus, germany, happening, performance art, sound art
The second volume of two-part catalogue for the retrospective. Includes a Germany-related Fluxus chronology (1958-1995) and more than 300 reproductions of the exhibited works.
Edited by René Block and Gabriele Knapstein
Publisher Institut für Auslandsbeziehungen, Stuttgart, 1995
266 pages
via Libros de arte
Review: Jörk Rothamel (1995, DE).
PDF (German, 74 MB)
Dlouhý příběh s mnoha uzly. Fluxus v Německu 1962-1994: texty (Czech, trans. Jiří Strážnický and Jan Mattuš, 1995)
See This Sound: Versprechungen von Bild und Ton / Promises in Sound and Vision (2010) [German/English]
Filed under book, catalogue | Tags: · art, art history, audiovisual, avant-garde, cassette culture, dance, electronic art, experimental film, film, fluxus, music, music history, performance, performance art, sound, sound art, synaesthesia, video, video art, vision, visual music
“As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a large number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others.”
With essays by Helmut Draxler, Diedrich Diederichsen, Gabriele Jutz, Liz Kotz, Heidi Grundmann, Christian Höller, Dieter Daniels, and Manuela Ammer.
Edited by Cosima Rainer, Stella Rollig, Dieter Daniels and Manuela Ammer
Publisher Walther König, Cologne, 2010
ISBN 3865606830, 9783865606839
320 pages
Exhibition website and archive
PDF (19 MB, updated on 2021-7-19)
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