ReadMe! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime (1999)
Filed under book | Tags: · cyberspace, internet, labour, market economy, media art, media culture, media theory, net art, net culture, network culture, software, sound recording, technology
“A compilation of writings and debates from the Nettime newsgroup and internet mailing list. This book documents the debates over emerging media technologies that are currently reshaping society. What are the liberatory potentials? Where are the points of political conflict and class struggle in this new culture? What are the pitfalls of new technology? Read Me! provides the beginnings of this discussion and an outline for what has become a continuing forum on the Net.”
Edited by Josephine Bosma, Pauline van Mourik Broekman, Ted Byfield, Matthew Fuller, Geert Lovink, Diana McCarty, Pit Schultz Felix Stalder, McKenzie Wark, and Faith Wilding
Publisher: Autonomedia, February 1999
ISBN: 1570270899, 978-1570270895
556 pages
single PDF (added on 2014-8-29, updated on 2022-12-3)
PDF chapters (updated on 2016-5-15)
Fibreculture Journal 1-15 (2003-2009)
Filed under journal | Tags: · convergence, creative industries, distributed aesthetics, education, innovation, internet, labour, media, media art, media culture, mobility, networks, new media, new media art, remix, research, web 2.0
Fibreculture Journal is a peer reviewed international journal that explores the issues and ideas of concern and interest to both the Fibreculture network and wider social formations. The journal encourages critical and speculative interventions in the debate and discussions concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability. Other broad topics of interest include the cultural contexts, philosophy and politics of information and creative industries; national and international strategies for innovation, research and development; education; media and culture, and new media arts.
What Now? : The Imprecise and Disagreeable Aesthetics of Remix
Fibreculture 15, 2009
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Web 2.0: Before, During and After the Event
Fibreculture 14, 2009
Edited by Darren Tofts and Christian McCrea
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After Convergence: What Connects?
Fibreculture 13, 2008
Edited by Caroline Bassett, Maren Hartmann, Kate O’Riordan
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Models, Metamodels and Contemporary Media
Fibreculture 12, 2008
Edited by Gary Genosko and Andrew Murphie
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The Futures of Digital Media Arts and Culture
Fibreculture 11, 2008
Edited by Andrew Hutchison and Ingrid Richardson
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New Media, Networks and New Pedagogies
Fibreculture 10, 2007
Edited by Adrian Miles
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General Issue
Fibreculture 9, 2006
Edited by Andrew Murphie
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Gaming Networks
Fibreculture 8, 2006
Edited by Chris Chesher, Alice Crawford and Julian Kücklich
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Distributed Aesthetics
Fibreculture 7, 2005
Edited by Lisa Gye, Anna Munster and Ingrid Richardson
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Mobility, New Social Intensities, and the Coordinates of Digital Networks
Fibreculture 6, 2005
Edited by Andrew Murphie, Larissa Hjorth, Gillian Fuller and Sandra Buckley
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Multitudes, Creative Organisation and the Precarious Condition of New Media Labour
Fibreculture 5, 2005
Edited by Brett Neilson and Ned Rossiter
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Contagion and the Diseases of Information
Fibreculture 4, 2005
Edited by Andrew Goffey
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General Issue
Fibreculture 3, 2004
Edited by Andrew Murphie
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New Media, New Worlds?
Fibreculture 2, 2003
Edited by Andrew Murphie
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The Politics of Networks
Fibreculture 1, 2003
Edited by Andrew Murphie
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Fibreculture Journal: Internet theory + criticism + research
Publisher: Fibreculture Publications/Open Humanities Press, Australia
ISSN: 1449 – 1443
Janet Staiger, Sabine Hake (eds.): Convergence Media History (2009)
Filed under book | Tags: · convergence, film, mass media, media culture, media history, media studies, new media, television
Convergence Media History explores the ways that digital convergence has radically changed the field of media history. Writing media history is no longer a matter of charting the historical development of an individual medium such as film or television. Instead, now that various media from blockbuster films to everyday computer use intersect regularly via convergence, scholars must find new ways to write media history across multiple media formats. This collection of eighteen new essays by leading media historians and scholars examines the issues today in writing media history and histories. Each essay addresses a single medium—including film, television, advertising, sound recording, new media, and more—and connects that specific medium’s history to larger issues for the field in writing multi-media or convergent histories. Among the volume’s topics are new media technologies and their impact on traditional approaches to media history; alternative accounts of film production and exhibition, with a special emphasis on film across multiple media platforms; the changing relationships between audiences, fans, and consumers within media culture; and the globalization of our media culture.
Publisher Taylor and Francis, 2009
ISBN 0415996619, 9780415996617
212 pages
PDF (updated on 2012-7-15)
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