Gennifer Weisenfeld: Mavo: Japanese Artists and the Avant-Garde, 1905-1931 (2002)

“The radical Japanese art group Mavo roared into new arenas and new art forms during the 1920s, with work ranging from performance art to painting, book illustration, and architectural projects. Hurling rocks through glass roofs and displaying their rejected works, Mavo artists held peripatetic protest exhibitions against the Japanese art establishment. Ultimately, Mavo’s work became a major influence in Japanese commercial art and had a pronounced and lasting impact on Japanese visual and political culture. This abundantly illustrated volume, the first book-length study in English on Mavo, provides a critical evaluation of this often outrageous and iconoclastic movement, tracing Mavo’s relationship to broader developments in modernism worldwide.

Gennifer Weisenfeld provides a fascinating look into Japanese popular culture by showing how Mavo artists sought to transform Japanese art in response to the rise of industrialism. They deliberately created images that conveyed the feelings of crisis, peril, and uncertainty that were beginning to characterize daily life. Their art often alluded to mechanical environments through the use of abstracted imagery such as interconnected tubular forms and shapes reminiscent of riveted steel-plate girders. Looking in depth at the art itself, the flamboyant personalities of the artists, and the cultural and political history of Japan in this interwar period, Weisenfeld traces the strategies used by these artists as they sought to reintegrate art into daily experience.

Weisenfeld thoroughly documents the links between Mavo artists and a wide range of other artistic and political movements with which they associated themselves, such as futurism, dada, expressionism, socialism, and communism. Capturing the restlessness and iconoclastic fervor of Mavo, Weisenfeld is the first to fully locate this modern Japanese artistic community within the broader historical and intellectual framework of international art of the early twentieth century.”

Publisher University of California Press, 2002
ISBN 0520223381, 9780520223387
368 pages

Reviews: Patricia Failing (caa.reviews), Alexandra Munroe (J Japanese Studies), J. Keith Vincent (J Asian Studies).

Publisher

PDF (95 MB, no OCR, updated on 2017-7-17)
multiple formats (Internet Archive, added on 2017-7-17)

See also Weisenfeld’s essay Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan (1996, 10 pp) and
Hagiwara Kyōjirō’s Death Sentence (1925).

Cathy Porter: Alexandra Kollontai: A Biography (1980)

Alexandra Kollontai is “one of the most fascinating and least understood figures of the Bolshevik revolution. A feminist and a socialist, Kollontai defended a vision of emancipation premised on equality, comradeship, and personal autonomy, where society would take responsibility for domestic labour while enabling individuals freely to express their sexuality.” (source)

She was a key leader of the Russian Socialist movement, the only woman in the early Soviet government, and one of the most famous women in Russian history. She worked tirelessly all her life, as a speaker, writer, and organizer for women’s emancipation. This compelling biography recounts her life for an emerging generation of fighters for women’s liberation.

Publisher Virago, 1980
ISBN 0860680134
537 pages

Review (Tamara Deutscher, Marxism Today, 1980)
Review (Sarah Creagh, Socialist Review)
Commentary (Christine Sypnowich, Labour/Le Travail, 1993)
Commentary (Nick Evans, The Oxford Left Review, 2012)

PDF (no OCR)

Sam Mbah, I.E. Igariwey: African Anarchism: The History of A Movement (1997)

The first book ever written on this subject, African Anarchism was co-written by Sam Mbah and fellow Nigerian, I.E. Igariway. After dealing with questions such as what anarchism is and isn’t, this groundbreaking book introduces the reader to anarchistic elements in traditional African societies, with a focus on Nigeria. It also examines the influence of anarchism on African national liberation struggles, and the failure of State Socialist governments in Africa. The book addresses the ongoing social, economic and political crises caused by colonialism in Africa. The authors end by considering the future prospects and challenges for anarchism in Africa.

Publisher See Sharp Press, Tucson, Arizona, 1997
ISBN 1884365051, 9781884365058
119 pages
via libcom.org

interview with Sam Mbah (March 2012)
Sam Mbah’s blog

PDF
PDF (2001 Edition from The Anarchist Library, multiple formats)