Paul Klee’s class notes (1921-1931)

7 September 2015, dusan

A collection of notes made by Klee while teaching at Bauhaus, now kept in and recently digitised by the Zentrum Paul Klee, Bern. Included is the 192-page book of lectures and exercises titled Beiträge zur bildnerischen Formlehre, created between November 1921 and December 1922, and another ca. 3900 loose manuscript pages from 1923-31, collected under the title Bildnerische Gestaltungslehre.

Introduction (in German)
JPG, PDFs
Selection (JPGs)

See also the printed editions Pedagogical Sketchbook (DE, EN, GR, RU) and Notebooks (EN).

René Spitz: The View Behind the Foreground: The Political History of the Ulm School of Design, 1953-1968 (2002) [EN, DE]

22 June 2015, dusan

The Ulm School of Design (HfG) has a reputation as the place which, after the Bauhaus, has had the most lasting influence not only on the design of industrially manufactured goods and of services but also on designer training. As a private institution the HfG was different from other contemporary design-focused training centers in that its goal was design based on the humanities and natural sciences, rather than traditional design, whose approach is one that relies on artistic intuition.

At the HfG, designers were trained, design took shape, theories of design were elaborated, and methods of design developed. In speaking of the instruction method used at the HfG and the way designers teamed up with technicians and business people, the terms “Ulm model” or “Ulm concept” are used. But the tangible results of work at the HfG – product and information design – have also set a trend: They are said to have a special “Ulm style”.” (from the back cover)

Publisher Axel Menges, Stuttgart, 2002
ISBN 3932565177, 9783932565175
462 pages

Review: Shantel Blakely (2003).

Publisher
WorldCat (EN)

HfG Ulm: The View Behind the Foreground (English, 87 MB, updated on 2019-2-25)
HfG Ulm. Ein Blick hinter den Vordergrund (German, 82 MB, updated on 2019-2-25)

L. Moholy-Nagy: Vision in Motion (1947)

21 June 2015, dusan

“This book is written for the artist and the layman, for everyone interested in his relationship to our existing civilization. It is an extension of my previous book, The New Vision. But while The New Vision gave mainly particulars about the educational methods of the old Bauhaus, Vision in Motion concentrates on the work of the Institute of Design, Chicago, and presents a broader, more general view of the interrelatedness of art and life.” (from the author’s foreword)

Publisher Paul Theobald, Chicago, 1947
371 pages

WorldCat

PDF (114 MB, no OCR)

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