Christoph Cox, Daniel Warner (eds.): Audio Culture: Readings in Modern Music (2004/2017)

“Audio Culture maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, the book traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.

Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno. Instead of focusing on the putative “crossover” between “high art” and “popular culture,” Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another.

Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction.”

Publisher Continuum, September 2004
Second, revised edition, Bloomsbury, 2017
ISBN 9781501318351, 1501318357
xviii+646 pages

Reviews: Ian Whalley (Computer Music Journal, 2005), Christopher DeLaurenti (eContact!, 2006), Dene Grigar (Leonardo, 2005), Clemens Gresser (Tempo, 2005), Gregory Taylor (Cycling74, 2018).

Publisher
WorldCat

PDF, PDF (updated on 2021-2-6)
EPUB, EPUB (updated on 2021-2-6)

Pierre Schaeffer: De la musique concrète à la musique même (1977) [French]

Collection of Pierre Schaeffer‘s writings from 1938-1977 published as triple issue of La Revue musicale (303-305).

Edited by Sophie Brunet
Publisher La Revue musicale, Paris, 1977
252 pages
via Rub

WorldCat

PDF (49 MB)

Charles Rosen: Arnold Schoenberg (1975)

In this lucid, revealing book, pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg’s music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, “the most expressive music ever written.” Concise and accessible, this book will appeal to fans, non-fans, and scholars of Schoenberg, and to those who have yet to be introduced to the works of one of the greatest composers of the twentieth century.

Publisher Viking Press, New York, 1975
ISBN 06701331617
113 pages

Review (Joel Sachs, The Musical Quarterly, 1977)
Review (Joseph Horowitz, Music Journal, 1976)
Review (Robert Craft, The New York Times, 1975)

PDF (17 MB, no OCR)
More works by and on Schoenberg (Monoskop wiki)