Filed under book | Tags: · biosphere, cold war, computing, cybernetics, environment, governmentality, history of science, networks, politics, secrecy, soviet union, systems science, systems theory
“In The Power of Systems, Eglė Rindzevičiūtė introduces readers to one of the best-kept secrets of the Cold War: the International Institute of Applied Systems Analysis (IIASA), an international think tank established by the U.S. and Soviet governments to advance scientific collaboration. From 1972 until the late 1980s IIASA in Austria was one of the very few permanent platforms where policy scientists from both sides of the Cold War divide could work together to articulate and solve world problems. This think tank was a rare zone of freedom, communication, and negotiation, where leading Soviet scientists could try out their innovative ideas, benefit from access to Western literature, and develop social networks, thus paving the way for some of the key science and policy breakthroughs of the twentieth century.
Ambitious diplomatic, scientific, and organizational strategies were employed to make this arena for cooperation work for global change. Under the umbrella of the systems approach, East-West scientists co-produced computer simulations of the long-term world future and the anthropogenic impact on the environment, using global modeling to explore the possible effects of climate change and nuclear winter. Their concern with global issues also became a vehicle for transformation inside the Soviet Union. The book shows how computer modeling, cybernetics, and the systems approach challenged Soviet governance by undermining the linear notions of control on which Soviet governance was based and creating new objects and techniques of government.”
Publisher Cornell University Press, Ithaca, NY, 2016
Creative Commons BY-NC-ND 4.0 International License
ISBN 9781501703188, 1501703188
Reviews: Roundtable: Barbara Czarniawska, Jenny Andersson, Claudia Aradau, Paul Rubinson, author’s response (H-Diplo, 2019), Kristine C. Harper (Isis, 2018), Benjamin Peters (Slavic Review, 2019), Gerald Easter (American Historical Review, 2018), Jeanne Morefield (J History of Ideas, 2020), Laurent Coumel (Cahiers du monde russe, 2018, FR), Una Bergmane (Lithuanian Historical Studies, 2018), Christian Dayé (Serendipities, 2018).
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Filed under book | Tags: · cybernetics, cyberspace, interface, machine, media, media theory, networks, photography, representation, software, technology, theory, virtual reality
“A rich compilation of essays by some of today’s leading theorists and media critics, this book gathers a series of explorations into diverse forms of visualizations in a cultural environment wired into the global network. With its emphasis on the impact of the digital revolution in the late 20th century and the historical context in which it arose, Electronic Culture could not be more timely or relevant.”
Texts by Vannevar Bush, Martin Heidegger, Hans Magnus Enzensberger, Jean-Louis Comolli, Kathy Rae Huffman, Lev Manovich, Vilém Flusser, N. Katherine Hayles, Siegfried Zielinski, Slavoj Žižek, Friedrich Kittler, Sherry Turkle, Pierre Levy, Hakim Bey, Adilkno/Geert Lovink, Critical Art Ensemble, a.o.
Preface by Allucquère Rosanne Stone
Illustrations by Critical Art Ensemble
Publisher Aperture, New York, 1996
ISBN 0893816787, 9780893816780
Review: Andreas Broeckmann (Leonardo, 2000).
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Filed under book | Tags: · abstraction, aesthetics, algorithm, architecture, cognition, computation, computing, cybernetics, design, evolution, feedback, infinity, information, interaction design, knowledge, media, metaphysics, networks, neural networks, philosophy, processing, randomness, sensors, software, space, temporality, time, topology, variation
“In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing.
The main philosophical source for the project is Alfred North Whitehead, whose process philosophy is specifically designed to provide a vocabulary for “modes of thought” exhibiting various degrees of autonomy from human agency even as they are mobilized by it. Because algorithmic processing lies at the heart of the design practices now reshaping our world—from the physical spaces of our built environment to the networked spaces of digital culture—the nature of algorithmic thought is a topic of pressing importance that reraises questions of control and, ultimately, power. Contagious Architecture revisits cybernetic theories of control and information theory’s notion of the incomputable in light of this rethinking of the role of algorithmic thought. Informed by recent debates in political and cultural theory around the changing landscape of power, it links the nature of abstraction to a new theory of power adequate to the complexities of the digital world.”
Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018632, 9780262018630
For a New Computational Aesthetics: Algorithmic Environments as Actual Objects lecture by Parisi (2012, video, 72 min).
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