Bonnie Mak: How the Page Matters (2011)

14 November 2013, dusan

“From handwritten texts to online books, the page has been a standard interface for transmitting knowledge for over two millennia. It is also a dynamic device, readily transformed to suit the needs of contemporary readers. In How the Page Matters, Bonnie Mak explores how changing technology has affected the reception of visual and written information.

Mak examines the fifteenth-century Latin text Controversia de nobilitate in three forms: as a manuscript, a printed work, and a digital edition. Transcending boundaries of time and language, How the Page Matters connects technology with tradition using innovative new media theories. While historicizing contemporary digital culture and asking how on-screen combinations of image and text affect the way conveyed information is understood, Mak’s elegant analysis proves both the timeliness of studying interface design and the persistence of the page as a communication mechanism.”

Publisher University of Toronto Press, 2011
Studies in Book and Print Culture series
ISBN 080209760X, 9780802097606
ix+129 pages

Reviews: Martha W. Driver (Speculum, 2013), Martin G. Eisner (Renaissance Quarterly, 2013), Brett A. Hudson (Papers of the Bibliographical Society of America, 2014), Julie Holcomb (Information & Culture, 2012).
Interview with author: Gretchen E. Henderson (Ploughshares Literary Magazine, 2013).

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Gérard Genette: Paratexts: Thresholds of Interpretation (1987/1997)

29 October 2012, dusan

“Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers’ jacket copy are part of a book’s private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey’s foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Genette’s work in contemporary literary theory.”

Originally published in French as Seuils, Éditions du Seuil, Paris, 1987

Translated by Jane E. Lewin
Foreword by Richard Macksey
Publisher Cambridge University Press, 1997
Literature, Culture, Theory series, 20
ISBN 0521424062, 9780521424066
456 pages

Review: Chris Koenig-Woodyard (erudit, 1999).

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