Anselm Franke (ed.): Animism, 1 (2010)

18 February 2014, dusan

“What is the role of aesthetic processes in the drawing of the boundaries between nature and culture, humans and things, the animate and inanimate? Structured around the aesthetic processes and effects of animation and mummification, Animism—a companion publication to the long-term exhibition of the same title, which premiered at Extra City Kunsthal Antwerpen in January 2010—brings together artistic and theoretical perspectives that reflect on the boundary between subjects and objects, and the modern anxiety that accompanies the relation between “persons” and “things.”

With works by Agency, Art & Language, Christian W. Braune & Otto Fischer, Marcel Broodthaers, Paul Chan, Tony Conrad, Didier Demorcy, Walt Disney, Lili Dujourie, Jimmie Durham, Eric Duvivier, Harun Farocki, León Ferrari, Christopher Glembotzky, Victor Grippo, Brion Gysin, Luis Jacob, Ken Jacobs, Darius James, Joachim Koester, Zacharias Kunuk, Louise Lawler, Len Lye, Étienne-Jules Marey, Daria Martin, Angela Melitopoulos & Maurizio Lazzarato, Wesley Meuris, Henri Michaux, Santu Mofokeng, Vincent Monnikendam, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Félix-Louis Regnault, Józef Robakowski, Natascha Sadr Haghighian, Paul Sharits, Yutaka Sone, Jan Švankmajer, David G. Tretiakoff, Rosemarie Trockel, Anne-Mie Van Kerckhoven, Dziga Vertov, Klaus Weber, Apichatpong Weerasethakul.”

With contributions by Agency, Irene Albers, Oksana Bulgakowa, Edwin Carels, Bart De Baere, Didier Demorcy, Brigid Doherty, Sergei Eisenstein, Anselm Franke, Masato Fukushima, Avery F. Gordon, Richard William Hill, Darius James, Gertrud Koch, Joachim Koester, Bruno Latour, Maurizio Lazzarato and Angela Melitopoulos, Vivian Liska, Henri Michaux, Santu Mofokeng, Philippe Pirotte, Florian Schneider, Erhard Schüttpelz, Michael Taussig, Eduardo Viveiros de Castro, Martin Zillinger.

Publisher Sternberg Press, Berlin, with Extra City – Kunsthal Antwerpen and M HKA – Museum of Contemporary Art, Antwerp, 2010
ISBN 9781933128955
256 pages
via chickpou

Publisher

PDF (7 MB, updated on 2019-1-15)
Exhibition booklets: Muhka (EN), Muhka (NL), HKW (EN), HKW (DE).

Sherry Turkle (ed.): Evocative Objects: Things We Think With (2007)

8 November 2012, dusan

“For Sherry Turkle, “We think with the objects we love; we love the objects we think with.” In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas.

These days, scholars show new interest in the importance of the concrete. This volume’s special contribution is its focus on everyday riches: the simplest of objects–an apple, a datebook, a laptop computer–are shown to bring philosophy down to earth. The poet contends, “No ideas but in things.” The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable.

Whether it’s a student’s beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes–the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.

In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound. So we have Howard Gardner’s keyboards and Lev Vygotsky’s hobbyhorses; William Mitchell’s Melbourne train and Roland Barthes’ pleasures of text; Joseph Cevetello’s glucometer and Donna Haraway’s cyborgs. Each essay is framed by images that are themselves evocative. Essays by Turkle begin and end the collection, inviting us to look more closely at the everyday objects of our lives, the familiar objects that drive our routines, hold our affections, and open out our world in unexpected ways.”

Publisher MIT Press, 2007
ISBN 0262201682, 9780262201681
385 pages

Publisher

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Raoul Vaneigem: The Revolution Of Everyday Life (1967–) [FR, ES, EN]

11 August 2012, dusan

“The book was, along with Guy Debord’s The Society of the Spectacle, one of the most significant works written by members of the Situationist International (1957–1972).

The book takes the field of ‘everyday life’ as the ground upon which communication and participation can occur, or, as is more commonly the case, be perverted and abstracted into pseudo-forms. The author considers that direct, unmediated communication between ‘qualitative subjects’ is the ‘end’ to which human history tends – a state of affairs still frustrated by the perpetuation of capitalist modes of relation and to be “called forward” through the construction of situations. Under these prevailing conditions, people are still manipulated as docile ‘objects’ and without the ‘qualititive richness’ which comes from asserting their irreducible individuality – it is toward creating life lived in the first person that situations must be ‘built’. So to speak, it is the humiliation of being but a ‘thing’ for others that is responsible for all the ills Vaneigem equates with modern city life – isolation, humiliation, mis-communication – and toward creating new roles that flout stereotyped convention that freedom comes.” (Wikipedia)

French edition
Publisher Gallimard, 1967.
Vaneigem’s preface to the first French paperback edition was published by Gallimard in 1992.

English translation was first published in 1983 jointly by Left Bank Books and Rebel Press.
Translated by Donald Nicholson-Smith
Publisher Rebel Press, 2001
No copyright claims will be made against publishers of non-profit editions.
ISBN 0946061017, 9780946061013
279 pages

Traité de savoir-vivre à l’usage des jeunes générations (French, 1967, unpaginated), HTML
Tratado del saber vivir para uso de las jovenes generaciones (Spanish, trans. Javier Urcanibia, 1977/2008)
The Revolution Of Everyday Life (English, trans. Donald Nicholson-Smith, 1983/2001)