Filed under book | Tags: · art, art criticism, art theory, land art, minimal art, perception, sculpture, space
“Robert Morris is best known for his significant contributions to minimalist sculpture and antiform art, as well as for a number of widely influential theoretical writings on art. Illustrated throughout, this collection of his seminal essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions.
Included are the influential ‘Notes on Sculpture’ which in four parts carefully articulates the shifting terrains of sculpture during the 1960s, tracing its movement from the gestalt-driven unitary forms of minimalism, through permutable pieces to the formally dispersed process-oriented antiform art that appeared later in the decade, and Morris’s landmark essay on ‘Anti Form’, which marked a departure from art as object. In ‘The Art of Existence’, Morris deftly and humorously invents three artists, who in their movement away from object-art and toward the extra-visual, reveal the limits and conditions of modern sculpture. Essays of the 1970s and 1980s reveal Morris’s preoccupation with the broad conditions of memory and space, which were explored in his experiments with land reclamation and land art, with labyrinthine environments and carceral imagery. In the later essays, Morris looks at modern art’s development in America, based on a framework of strategies produced by Duchamp, Pollock, and other key figures. And in a refiguration of an interview with Roger Denson, Morris acts out a subtle mockery of himself and his art, collapsing the high seriousness of the intended format into a playful scheme.”
Publisher MIT Press, 1993
An October Book
ISBN 026213294X, 9780262132947
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Leslie Martin, Ben Nicholson, Naum Gabo (eds.): Circle: International Survey of Constructive Art (1937/1971)
Filed under book | Tags: · abstract art, abstraction, architecture, art, art criticism, art history, art theory, avant-garde, constructivism, painting, sculpture
This book contains work and writings by virtually all the leading architects and artists of the international constructivism of the 1930s.
First published in London, 1937.
Reprinted by Praeger Publishers, New York, 1971
in the Unlimited Edition
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Filed under journal | Tags: · aesthetics, archive, art, art criticism, literary criticism, literature, memory, new media, poetry, preservation, storage
Against the backdrop of a longstanding practice of erasure both in artistic and critical work, authors in this issue explore the aesthetics of erasure in the digital era, investigating new meanings and the relevance of erasure within contexts of digital production, preservation, and sharing.
With texts and visual essays by Joshua Craze; Seth Ellis; Kaja Marczewska; Justin Berry; David Gyscek; Derek Beaulieu; Amaranth Borsuk, Jesper Juul, and Nick Montfort; Torsa Ghosal; William Basinski; Ella Klik and Diana Kamin; and Matthew Schilleman.
Guest editors: Paul Benzon and Sarah Sweeney
Publisher New Media Caucus, May 2015
Filed under journal | Tags: · activism, aesthetics, art, art criticism, climate change, contemporary art, earth, ecology, environment, oil, politics, postcolonialism, visual culture
“This special issue of Third Text investigates the intersection of art criticism, politico-ecological theory, environmental activism and postcolonial globalization. The focus is on practices and discourses of eco-aesthetics that have emerged in recent years in geopolitical areas as diverse as the Arctic, Nigeria, Bangladesh, Indonesia, Europe and Mexico. The numerous contributors address new aesthetic strategies through which current ecological emergencies – including but not limited to the multifaceted crisis of climate change – have found resonance and creative response in artistic practice and more broadly in visual culture.” (from the Introduction)
With contributions by Christoph Brunner, Roberto Nigro, Gerald Raunig, Jessica L Horton, Janet Catherine Berlo, Jimmie Durham, Subhankar Banerjee, Nabil Ahmed, Berin Golonu, Basil Sunday Nnamdi, Obari Gomba, Frank Ugiomoh, Ursula Biemann, Peter Mörtenböck, Helge Mooshammer, Patrick D Flores, Raqs Media Collective, Luke Skrebowski, Emily Apter, Steven Lam, Gabi Ngcobo, Jack Persekian, Nato Thompson, Anne Sophie Witzke, Liberate Tate, TJ Demos, Eduardo Abaroa and Minerva Cuevas.
Guest editor: TJ Demos
Publisher Third Text, London, January 2013
Filed under journal | Tags: · art, art criticism, video, video activism, video art
Electra Myths: Video, Modernism, Postmodernism by Katherine Dieckmann
Why Don’t They Tell Stories Like They Used To? by Ann-Sargent Wooster
The Passion for Perceiving: Expanded Forms of Film and Video Art by John G. Hanhardt
From Gadget Video to Agit Video by Benjamin H.D. Buchloh
Subject to Change: Guerrilla Television Revisited by Deirdre Boyle
Tracking Video Art: “Image Processing” as a Genre by Lucinda Furlong
Pressure Points: Video in the Public Sphere by Martha Gever
The New Sleep: Stasis and the Image-Bound Environment by Tricia Collins and Richard Milazzo
Video: A Selected Chronology, 1963-1983 by Barbara London
Guest editor: Sara Hornbacher
Publisher College Art Association of America, Fall 1985