Peter Shapiro (ed.): Modulations: A History of Electronic Music: Throbbing Words on Sound (2000)

29 July 2017, dusan

Modulations contains several large essays written by music critics and musicians that provide historical and critical survey of electronic music by genre, discussing labels, sub-genres, stylistic developments, musicians, and records.

Chapters by Rob Young (Pioneers), Simon Reynolds (Krautrock), Peter Shapiro (Disco, Post Punk), Kodwo Eshun (House), David Toop (Hip-Hop), Mike Rubin (Techno), Chris Sharp (Jungle), Tony Marcus (Ambient), Kurt Reighley (Downtempo), and Michael Berk (Technology).

Project director: Iara Lee
Publisher Caipirinha Productions, New York, 2000
ISBN 189102406X, 9781891024061
255 pages

Film reviews: Stephen Holden (NYT, 1998), Tony Ramos (Hyperreal, n.d.).

Wikipedia
Publisher
WorldCat

PDF (39 MB, no OCR)
See also film documentary, dir. Iara Lee, 1998, 75 min.

Richard Kostelanetz (ed.): Text–Sound Texts (1980)

28 July 2017, dusan

Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard. With more than one hundred pieces from a broad range of the 1960′s and 1970′s experimental artists from the music, art, literature, theater, and film worlds, including: John Cage, Guy de Coinet, Else von Freytag-Loringhoven, Allen Ginsberg, John Giorno, Philip Glass, Glenn Gould, Dick Higgins, Jack Kerouac, Annea Lockwood, Alvin Lucier, Jackson Mac Low, bp Nichol, Claes Oldenburg, Mary Ellen Solt, Gertrude Stein, Emmett Williams, and Robert Wilson, among others.

Publisher William Morrow, New York, 1980
ISBN 0688036163, 9780688036164
441 pages, 23.5 x 16 cm

WorldCat

PDF (100 MB)

Jennifer Gabrys: Program Earth: Environmental Sensing Technology and the Making of a Computational Planet (2016)

28 July 2017, dusan

“Sensors are everywhere. Small, flexible, economical, and computationally powerful, they operate ubiquitously in environments. They compile massive amounts of data, including information about air, water, and climate. Never before has such a volume of environmental data been so broadly collected or so widely available.

Grappling with the consequences of wiring our world, Program Earth examines how sensor technologies are programming our environments. As Jennifer Gabrys points out, sensors do not merely record information about an environment. Rather, they generate new environments and environmental relations. At the same time, they give a voice to the entities they monitor: to animals, plants, people, and inanimate objects. This book looks at the ways in which sensors converge with environments to map ecological processes, to track the migration of animals, to check pollutants, to facilitate citizen participation, and to program infrastructure. Through discussing particular instances where sensors are deployed for environmental study and citizen engagement across three areas of environmental sensing, from wild sensing to pollution sensing and urban sensing, Program Earth asks how sensor technologies specifically contribute to new environmental conditions. What are the implications for wiring up environments? How do sensor applications not only program environments, but also program the sorts of citizens and collectives we might become?

Program Earth suggests that the sensor-based monitoring of Earth offers the prospect of making new environments not simply as an extension of the human but rather as new “technogeographies” that connect technology, nature, and people.”

Publisher University of Minnesota Press, 2016
Electronic Mediations series, 49
ISBN 9780816693122, 0816693129
x+357 pages
via publisher

Reviews: Etienne S. Benson (Am J Sociology, 2017), Matthew W. Wilson (Cultural Geographies, 2017).
Interviews: Rorotoko (2016).

Author (with links to related articles)
Publisher
WorldCat

PDF (6 MB)

Michael Kirby (ed.): Happenings: An Illustrated Anthology (1965)

28 July 2017, dusan

The book analyzes happenings as a new form of theatre comparable to collage and “compartmented” theater. Largely composed of statements, scripts, and illustrations of happenings by Allan Kaprow, Red Grooms, Robert Whitman, Jim Dine, and Claes Oldenburg.

Written and edited by Michael Kirby
Publisher E.P. Dutton, New York, 1965
287 pages

Review: Kirkus Rev (n.d.).

WorldCat

PDF (87 MB, no OCR)

Sally Banes: Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body (1993)

28 July 2017, dusan

“The year was 1963 and from Birmingham to Washington, D.C., from Vietnam to the Kremlin to the Berlin Wall, the world was in the throes of political upheaval and historic change. But that same year, in New York’s Greenwich Village, another kind of history and a different sort of politics were being made. This was a political history that had nothing to do with states or governments or armies–and had everything to do with art. And this is the story that Sally Banes tells, a year in the life of American culture, a year that would change American life and culture forever. It was in 1963, as Banes’s book shows us, that the Sixties really began.

Banes draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America. Among these young artists were many who went on to become acknowledged masters in their fields, including Andy Warhol, John Cage, Yoko Ono, Yvonne Rainer, Lanford Wilson, Sam Shepard, Brian de Palma, Harvey Keitel, Kate Millet, and Claes Oldenburg. In live performance–Off-Off Broadway theater, Happenings, Fluxus, and dance–as well as in Pop Art and underground film, we see this generation of artists laying the groundwork for the explosion of the counterculture in the late 1960s and the emergence of postmodernism in the 1970s. Exploring themes of community, freedom, equality, the body, and the absolute, Banes shows us how the Sixties artists, though shaped by a culture of hope and optimism, helped to galvanize a culture of criticism and change. As 1963 came to define the Sixties, so this vivid account of the year will redefine a crucial generation in recent American history.”

Publisher Duke University Press, 1993
ISBN 082231357X, 9780822313571
ix+308 pages

Reviews: Serge Guilbaut (Am Hist Rev, 1995), Marla Carlson (Theatre J, 1996), PublishersWeekly (n.d.).

Publisher
WorldCat

PDF (100 MB, no OCR)

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