Friedrich Kittler: Short Cuts (2002) [German]
Filed under book | Tags: · computing, film, literary theory, literature, machine, media, media theory, military, music, surveillance, technology
A collection of essays and interviews.
Dass er seit eineinhalb Jahrzehnten den Geisteswissenschaften ihren Computer-Analphabetismus vorbuchstabiert, hat Friedrich Kittler vor allen akademischen Ehren den Titel des “Enfant incompatible der Humanities” eingebracht. Aus dem Inhalt: Interviews mit Alexander Kluge, Über Michel Foucault, Computeranalphabetismus, Das Jahrhundert der Landvermesser, Der Kopf schrumpft, Der Schleier des Luftkrieges, Gespräch mit Paul Virilio, Die Zukunft auf Siliziumbasis, Interview mit Peter Weibel, Jeder kennt den CIA, Krieg im Schaltkreis, Medien und Drogen in Pynchons Zweitem Weltkrieg, Memories are made of you, Provisorische Maschinen, provisorische Moral, Rock Musik: Ein Missbrauch von Heeresgerät.
Edited by Peter Gente and Martin Weinmann
Publisher Zweitausendeins, Frankfurt am Main, 2002
Short Cuts series, 6
ISBN 3861504243, 9783861504245
288 pages
Kittler’s bibliography at Monoskop wiki
Comment (1)Annie van den Oever (ed.): Technē/Technology: Researching Cinema and Media Technologies (2014)
Filed under book | Tags: · aesthetics, art, cinema, film, film theory, image, machine, media, media technology, media theory, perception, phenomenology, philosophy of film, philosophy of technology, photography, technē, technology, television, video, vision
“This fourth title in the series The Key Debates sets out where the term technē comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors – among them André Gaudreault, Geoffrey Winthrop-Young, Martin Lefebvre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie – investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.”
Publisher Amsterdam University Press, Amsterdam, 2014
The Key Debates: Mutations and Appropriations in European Film Studies series
Creative Commons BY NC ND License 3.0
ISBN 9089645713, 9789089645715
413 pages
Peter Swirski (ed.): The Art and Science of Stanislaw Lem (2006)
Filed under book | Tags: · artificial intelligence, film, literary criticism, literature, robots, science fiction, technology, technoscience
“The Polish science fiction writer Stanislaw Lem, whose works include Return from the Stars, The Cyberiad, A Perfect Vacuum, and Solaris, has been hailed as a “literary Einstein” and a science-fiction Bach. The Art and Science of Stanislaw Lem provides an inter-disciplinary analysis of his influence on Western culture and the creative partnering of art and science in his fiction and futorology by American and European scholars who have defined Lem scholarship.
Rather than analyzing Lem solely as a science fiction writer, the contributors examine the larger themes in his work, such as social engineering and human violence, agency and consciousness, Freudianism and the creative process, evolution and the philosophy of the future, virtual reality and epistemological illusion, and science fiction and socio-cultural policy.
This unique collection also includes “Smart Robots,” a previously unpublished essay by Lem.”
Contributors include Peter Butko, Istvan Csicsery-Ronay Jr, Katherine Hayles, Jerzy Jarzebski, Michael Kandel, Stanislaw Lem, Paisley Livingston, Krzysztof Loska, and Peter Swirski.
Publisher McGill-Queen’s University Press, 2006
ISBN 0773575073, 9780773575073
208 pages
PDF (updated on 2014-12-29)
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