Calvin Tomkins: The Bride and the Bachelors: Five Masters of the Avant-Garde (1965/1976)
Filed under book | Tags: · art, art criticism, art history, dance, machine, music, painting
A classic work of art criticism. The chapters on Marcel Duchamp, John Cage, Jean Tinguely, Robert Rauschenberg, and Merce Cunningham by an author also known for his work for Radio Free Europe, Newsweek, and The New Yorker.
First published by Viking Press, 1965
Viking Compass Edition with a new Introduction and expanded text published 1968
This edition by Penguin, 1976
ISBN 0140043136
306 pages
PDF (36 MB, no OCR)
Comment (1)See This Sound: Versprechungen von Bild und Ton / Promises in Sound and Vision (2010) [German/English]
Filed under book, catalogue | Tags: · art, art history, audiovisual, avant-garde, cassette culture, dance, electronic art, experimental film, film, fluxus, music, music history, performance, performance art, sound, sound art, synaesthesia, video, video art, vision, visual music
“As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a large number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others.”
With essays by Helmut Draxler, Diedrich Diederichsen, Gabriele Jutz, Liz Kotz, Heidi Grundmann, Christian Höller, Dieter Daniels, and Manuela Ammer.
Edited by Cosima Rainer, Stella Rollig, Dieter Daniels and Manuela Ammer
Publisher Walther König, Cologne, 2010
ISBN 3865606830, 9783865606839
320 pages
Exhibition website and archive
PDF (19 MB, updated on 2021-7-19)
Comments (7)Richard Kostelanetz: Dictionary of the Avant-Gardes (1993–)
Filed under book | Tags: · abstract art, aesthetics, art, art criticism, art history, art theory, avant-garde, dance, electroacoustic music, electronic music, experimental film, film, literature, mail art, music, music history, painting, performance art, poetry, radio art, sculpture, theatre, video, video art, visual poetry
“This book elucidates, celebrates, enumerates, and sometimes obliterates achievers and achievements in the avant-garde arts. Although it runs from A to Z, it could as easily have been written from Z to A (or in any other order you might imagine) and may be read from front to back, back to front, or point to point. It is opinionated, as all good dictionaries should be, but it is also inclusive, because there can never be just one avant-garde.
Blake • Rimbaud • Apollinaire • Stein • Cage • Lichtenstein • Tatlin • Keaton • Captain Beefheart • Hologram • Text-Sound Texts • Strobe Light • Grotowski • Soho • Micropress • Electronic Music • Reinhardt • Pound • Performance • Postmodern • Duchamp • Fuller • Oldenberg • Paik • Armory Show • Reich • Cunningham • Copy Culture • Pattern Poetry • Bread and Puppet Theatre” (from the back cover)
With contributions by Richard Carlin, Geof Huth, Gerald Janecek, Katy Matheson, H.R. Brittain, John Robert Colombo, Ulrike Michal Dorda, Charles Doria, and Robert Haller.
Publisher A Capella Books, an imprint of Chicago Review Press, 1993
ISBN 1556522029
246 pages
PDF
2nd edition (2000, 47 MB, added on 2020-3-18)
New additions (2011) selected for Soanyway by Derek Horton (HTML)