Kim West: The Exhibitionary Complex: Exhibition, Apparatus and Media from Kulturhuset to the Centre Pompidou, 1963-1977 (2017)
Filed under thesis | Tags: · aesthetics, apparatus, art history, exhibition, information, media, museum, networks, theory
This doctoral thesis “studies the new Information Center model of the art museum that was developed by a group of artists, curators, architects, and activists connected to Moderna Museet in Stockholm between the mid-1960s and the mid-1970s. Through close readings of Moderna Museet’s unrealized Kulturhuset project, and a series of related attempts at rethinking the exhibition and the museum in relation to new information technologies, systems, and networks, it traces the origins, the critical implications, and the effects of this model, according to which the museum should function at once as a catalyst for the active forces in society, a vast experimental laboratory, and a broadcasting station.
In this study, the museum is understood as an exhibitionary apparatus, the specific characteristics of which are configured in relation to other apparatuses for display, distribution, and interaction, which together form an exhibitionary complex, caught in a process of gradual integration with the expanding network of cybernetic media. The study asks under what conditions the exhibitionary apparatus might preserve its particular modes of social and aesthetic experience, while acting as a transformative force on and through the new information environments.”
PhD dissertation in Aesthetics, School of Culture and Education, Södertörn University
Publisher Södertörn University, Stockholm, 2017
Open access
ISBN 9789187843761
359 pages
Review: Anders Kreuger (Kunstkritikk, 2017).
Comment (0)Baylee Brits, Prudence Gibson, Amy Ireland (eds.): Aesthetics After Finitude (2016)
Filed under book | Tags: · aesthetics, anthropocene, fiction, human, immanence, noise, philosophy, sound, subject, theory
“Traditionally aesthetics has been associated with phenomenal experience, human apprehension and an appreciation of beauty—the domains in which human cognition is rendered finite. What is an aesthetics that might occur ‘after finitude’?”
Contributions by Marc Couroux, Prudence Gibson, Thomas Sutherland, Lendl Barcelos, Douglas Kahn, Adam Hulbert, Baylee Brits, Stephen Muecke, Laura Lotti, Christian R. Gelder, Simon O’Sullivan, Tessa Laird, Chris Shambaugh (and Maudlin Cortex), Chaim Horowitz, and Amy Ireland.
Afterword by Justin Clemens
Publisher re.press, Melbourne, Dec 2016
Anamnesis series
Creative Commons BY-NC-ND License 2.5
ISBN 9780980819793, 0980819792
241 pages
Conference (2015)
Publisher
WorldCat
Theory, Culture & Society 23(2-3): Problematizing Global Knowledge (2006)
Filed under book, journal | Tags: · aesthetics, archive, assemblage, body, classification, culture, encyclopedia, globalisation, information, knowledge, knowledge production, language, library, life, logic, media, modernity, network, public sphere, race, religion, science, space, technology, theory, time, translation, university, vitalism
In this special issue the TCS editorial board, along with colleagues in East and South-East Asia and other parts of the world, ventured in ‘encyclopaedic explorations’ in order to “rethink knowledge under the impact of globalization and digitization. The issue features over 150 entries and supplements on a range of topics which are addressed in terms of their relevance to knowledge formation, by contributors writing from a wide range of perspectives and different parts of the world. The entries and supplements are gathered under three main headings: metaconcepts, metanarratives and sites and institutions.”
Edited by Mike Featherstone, Couze Venn, Ryan Bishop and John Phillips, with Pal Ahluwalia, Roy Boyne, Beng Huat Chua, John Hutnyk, Scott Lash, Maria Esther Maciel, George Marcus, Aihwa Ong, Roland Robertson, Bryan Turner, Shiv Visvanathan, Shunya Yoshimi
With an Introduction by Mike Featherstone and Couze Venn
Publisher Sage, 2006
616 pages