Third Text, 120: Contemporary Art and the Politics of Ecology (2013)

“This special issue of Third Text investigates the intersection of art criticism, politico-ecological theory, environmental activism and postcolonial globalization. The focus is on practices and discourses of eco-aesthetics that have emerged in recent years in geopolitical areas as diverse as the Arctic, Nigeria, Bangladesh, Indonesia, Europe and Mexico. The numerous contributors address new aesthetic strategies through which current ecological emergencies – including but not limited to the multifaceted crisis of climate change – have found resonance and creative response in artistic practice and more broadly in visual culture.” (from the Introduction)

With contributions by Christoph Brunner, Roberto Nigro, Gerald Raunig, Jessica L Horton, Janet Catherine Berlo, Jimmie Durham, Subhankar Banerjee, Nabil Ahmed, Berin Golonu, Basil Sunday Nnamdi, Obari Gomba, Frank Ugiomoh, Ursula Biemann, Peter Mörtenböck, Helge Mooshammer, Patrick D Flores, Raqs Media Collective, Luke Skrebowski, Emily Apter, Steven Lam, Gabi Ngcobo, Jack Persekian, Nato Thompson, Anne Sophie Witzke, Liberate Tate, TJ Demos, Eduardo Abaroa and Minerva Cuevas.

Guest editor: TJ Demos
Publisher Third Text, London, January 2013
175 pages

Publisher

PDF (10 MB)
Online supplement (contains another 6 articles + introduction)

Claire Bishop, Marta Dziewańska (eds.): 1968-1989: Political Upheaval and Artistic Change (2010)

“This volume comprises a selection of texts and presentations from a seminar organized in Warsaw in 2008 by the Museum of Modern Art with art historian Claire Bishop that presented a comparative reflection of Western and Eastern European evaluations of the artistic significance of 1968 and the transformations of 1989, which saw the end of the Soviet empire. The essays presented here explore the extent to which political change affects the form, medium, and distribution of visual art; explains the differences among artistic practices that appear similar but arose in diverse political and ideological contexts; and considers the possibility and desirability of writing a European art history that brings together East and West.”

With contributions by Claire Bishop, Tania Brugera, Branislav Jakoljević, Ana Janevski, Vit Havránek, Tomáš Pospiszyl, Luiza Nader, Gabriela Świtek, Piotr Piotrowski, Attila Tordai-S., Borut Vogelnik, Charles Esche, Kathrin Rhomberg, Joanna Mytkowska, Grzegorz Kowalski and Artur Źmikewski, Milan Knížák, and Ján Budaj.

Publisher Museum of Modern Art, Warsaw, 2010
ISBN 9788392404408
232 (of 504) pages
via Academia.edu

Publisher
WorldCat

PDF (English section only, 43 MB)

transversal, 06/14: Insurrection of the Published (2014) [DE, EN, ES]

“The publishing industry is in a fundamental crisis. In its final hours it is beginning to lash out, but only hits itself. As much as academic apparatuses and cultural industries wrestle with conformity, the traditional forms of knowledge production remain just as incompatible with the new media conditions as with future emancipatory concatenations of writing, translating and publicly negotiating publications. “The Insurrection of the Published” emerges in these concatenations beyond the domestication of styles, forms and formats, beyond valorization and self-valorization, beyond the hegemonic mechanisms of exclusion like peer reviews, impact factors, ranking, and rigid copyright regimes.”

With contributions by EIPCP, Isabell Lorey, Otto Penz, Gerald Raunig, Birgit Sauer, Ruth Sonderegger, Stevphen Shukaitis, Traficantes de Sueños, Felix Stalder, and an Anonymous Iranian Collective.

Aufstand der Verlegten / Insurrection of the Published / Insurrección de los editados
Publisher EIPCP, Vienna, 2014
Copyleft
ISSN 1811-1696

HTML