Magiciens de la Terre (1989) [French]
Filed under catalogue | Tags: · africa, art, art history, asia, caribbean, colonialism, contemporary art, diaspora, eastern europe, ethnocentrism, globalisation, latin america, middle east, multiculturalism, postcolonialism, south america

Catalogue of an exhibition held 18 May-14 August 1989 at the Centre Pompidou and La Grande Halle-La Villette, curated by Jean-Hubert Martin with the assistance of Jan Debbaut, Mark Francis, Jean-Louis Maubant, Aline Luque, André Magnin and Jacques Soulillou.
“An exhibition loved and hated in equal measure, Martin curated the show to address the fact that there were, as he put it, “one hundred percent of exhibitions ignoring 80 percent of the earth.” He attempted to engage critically with certain aspects of neo-colonial mentality in the West, particularly a resurgent interest in ‘primitivism,’ which Martin felt aestheticized exotic cultures without destablilizing western definitions of fine art, modernism, or identity. The exhibition included works by 100 artists (50 from the so called ‘West’ and 50 from the ‘margins’), attempting to show all on equal footing. The success of this attempt is still disputed and discussed in terms of the exhibition history of the past twenty-odd years, but it remains undeniable that the exhibition enacted an important break with some of the conventions of exhibition-making and strictly defined notions of modernism. Exhibited artists included Marina Abramovic, John Baldessari, Mike Chukwukelu, Braco Dimitrijevic, Yongping Huang, Boujemaa Lakhdar, Richard Long, Sigmar Polke, Jangarh Singh Shyam, Ulay, Jeff Wall, Jimmy Wululu, etc. ” (Source)
With essays by Jean-Hubert Martin, Aline Luque, Mark Francis, André Magnin, Pierre Gaudibert, Thomas McEvilley, Homi Bhabha, Jacques Soulillou, Bernard Marcadé.
Publisher Editions du Centre Pompidou, Paris, 1989
ISBN 2858504989, 9782858504985
271 pages
via Gioni
Interview with curator (Benjamin H.D. Buchloh, Art in America, 1989, EN)
Reviews: 10 French press reviews (1989), more, list of reviews (1989, 30 pp).
Analysis and commentary: Special issue of Les Cahiers du Musée National d’Art Moderne (1989, FR, 101 MB, added on 2019-8-14), Special issue of Third Text (1989, EN), Thomas McEvilley (1990, EN), Cesare Poppi (engage, 2003, EN), Hal Foster et al (2004/07, EN), Daniel Soutif (2005, FR), Reesa Greenberg (Art Journal, 2005, EN), Maureen Murphy (Critique d’art, 2013, FR/EN), Lucy Steeds et al. (book, Afterall, 2013, EN), Pablo Lafuente (2013, EN), Annie Cohen-Solal (Stedelijk Studies, 2014, EN), Adam Jasper (AU&NZ Journal of Art, 2014, EN), Julia Friedel (C&, 2016, EN).
Short documentary (1989)
Wikipedia
Pompidou’s 25th anniversary exhibition (2014)
Film retrospective at Tate (2014)
Exhibition website
Press release (FR/EN), Petit journal (FR)
Publisher
WorldCat
PDF (168 MB)
Comment (0)Third Text, 6: Magiciens de la Terre (1989)
Filed under journal | Tags: · anthropology, art, art criticism, art history, colonialism, modernism, postcolonialism

A special issue of the journal consisting of a translation of the special issue of Les cahiers du musée national d’art moderne published to coincide with the exhibition Magiciens de la terre.
Foreword by Rasheed Araeen, introduction by Yves Michaud, interview with the exhibition curator Jean‐Hubert Martin by Benjamin H.D. Buchloh, essays by Fumio Nanjo, John Mundine, Jyotindra Jain, Louis Perrois, Carlos Severi, Sally Price, James Clifford, Jean Fisher, Yves Michaud, Guy Brett
Publisher Third Text, Spring 1989
ISSN 0952-8822
96 pages
PDF (9 MB)
Comment (0)Trinh T. Minh-ha: Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event (2010)
Filed under book | Tags: · art, borders, feminism, home, immigration, language, migration, postcolonialism, refugees

“Elsewhere, Within Here is an engaging look at travel across national borders–as a foreigner, a tourist, an immigrant, a refugee—in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in her earlier work on hybridity and displacement in the median passage, and illuminating the ways in which ‘every voyage can be said to involve a re-siting of boundaries,’ Trinh T. Minh-ha leads her readers through an investigation of what it means to be an insider and an outsider in this ‘epoch of global fear.'”
Publisher Routledge, 2010
ISBN 0415880211, 9780415880213
vii+139 pages
via Neda
Author’s talk on Said’s work (audio, 18 min)
Reviews: Shinhyung Choi (Dark Matter 2011), Delila Omerbašić (Journal of Refugee Studies 2013).
PDF (21 MB, no OCR, updated on 2021-5-3)
Comment (0)