Thomas Dreher: Performance Art nach 1945. Aktionstheater und Intermedia (2001) [German]

8 January 2016, dusan

This book explores a spectrum of types and definitions of performance, from action painting, Gutai, Viennese Action art, and destruction in art to body and transgressive art, and from closed-circuit video to computer and telecommunications in performance. Sections of the book also address solo, as well as collective, performance, multifunctionalism and conceptual performance, the role of the spectator, and other neglected aspects of the range of performance.

Publisher Wilhelm Fink, Munich, 2001
Das Problempotential der Nachkriegsavantgarden series, 3
ISBN 3770534522, 9783770534524
543 pages

Reviews: Michael Hauffen (Kunstforum, 2001, DE), Holger Schulze (IASL, 2002, DE).

Author
WorldCat

JPGs, PDF
Academia.edu

Collected Works of Velimir Khlebnikov, 3 vols. (1987-1998)

6 September 2015, dusan

“Dubbed by his fellow Futurists the “King of Time”, Velimir Khlebnikov (1885–1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the “language of the stars.” The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured.”

Edited by Charlotte Douglas (1), Ronald Vroon (2-3)
Translated by Paul Schmidt
Publisher Harvard University Press, 1987-98
ISBN 0674140451 (1), 067414046X (2), 0674140478 (3)
xii+452 & xii+403 & x+274 pages

Reviews: Cooke (of Vol 1, SEER 1989), Yastremski (of Vol 2, SEEJ 1990).

Publisher
WorldCat

1. Letters and Theoretical Writings (1987, 29 MB)
2. Prose, Plays, and Supersagas (1989, 17 MB)
3: Selected Poems (1998, 10 MB)

More from Khlebnikov (incl 6-volume Russian collection)
Khlebnikov on Ubuweb Sound

Ada Raev: Russische Künstlerinnen der Moderne (1870-1930). Historische Studien, Kunstkonzepte, Weiblichkeitsentwürfe (2002) [German]

10 August 2015, dusan

“Mit ihren Werken, ihren theoretischen Positionen und ihren Aktivitäten im zeitgenössischen Kunstleben haben russische Künstlerinnen die Geschichte der russischen und europäischen Kunst zwischen 1880 und 1930 wesentlich mitgeprägt.

Das Buch spürt den mentalitätsgeschichtlichen, politischen und institutionellen Voraussetzungen des Phänomens “Russische Künstlerinnen der Moderne” nach und stellt ihr Wirken im zeitgenössischen Kanon der Künste (Kunsthandwerk, Graphik und Buchkunst, Malerei, Plastik, Szenographie) vor.”

Publisher Wilhelm Fink, Munich, 2002
Open access
ISBN 3770536991, 9783770536993
451 pages

Reviews: Renate Berger (kritische berichte 2004), Karoline Hille (Frauen Kunst Wissenschaft 2004), Alexandra Oberländer (Jahrbücher für Geschichte Osteuropas 2005).

Publisher
WorldCat

JPGs, PDF