Serge Guilbaut (ed.): Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964 (1990)

7 August 2016, dusan

“These essays reopen the case of postwar abstraction. They constitute a dialogue among historians, critics, painters, and art historians that allows not only new readings of specific art works but also a new understanding of the reception of art in the postwar Western world.

Reconstructing Modernism takes up the complex relationship between art and politics in the postwar years, debating the reasons for the simultaneous development in Paris, Montreal, and New York of a type of ‘hot’ expressionist painting–variously called abstract expressionism, abstraction lyrique, automatisme–and its replacement by neodada and neocold abstraction in the early 1960s. Well-known works by Pollock, Warhol, Soulages, Fautrier, Rauschenberg, and Gabo are reassessed, and their meaning is reappraised according to the larger international artistic and political discourse.

The contributions cover a wide range of issues. Timothy J. Clark, Thierry de Duve, Constance Naubert-Riser, and Thomas Crow focus on specific works of major artists of the period. Laurie J. Monahan, Serge Guilbaut, and Benjamin H. D. Buchloh look at art production in relation to particular aspects of the Cold War. Jean Baudrillard and François-Marc Gagnon discuss the effects of the international situation on the arts in general. John Franklin Koenig describes the experience of an American artist working in Paris after the war. John O’Brian relates the impact and the reception of Matisse’s work in New York, and Lary May discusses the transformation of Hollywood during the McCarthy era.”

Publisher MIT Press, 1990
ISBN 0262570920, 9780262570923
418 pages

WorldCat

PDF (146 MB)

L. Moholy-Nagy: Vision in Motion (1947)

21 June 2015, dusan

“This book is written for the artist and the layman, for everyone interested in his relationship to our existing civilization. It is an extension of my previous book, The New Vision. But while The New Vision gave mainly particulars about the educational methods of the old Bauhaus, Vision in Motion concentrates on the work of the Institute of Design, Chicago, and presents a broader, more general view of the interrelatedness of art and life.” (from the author’s foreword)

Publisher Paul Theobald, Chicago, 1947
371 pages

WorldCat

PDF (114 MB, no OCR)

More from Moholy-Nagy

Leslie Martin, Ben Nicholson, Naum Gabo (eds.): Circle: International Survey of Constructive Art (1937/1971)

14 June 2015, dusan

This book contains work and writings by virtually all the leading architects and artists of the international constructivism of the 1930s.

First published in London, 1937.
Reprinted by Praeger Publishers, New York, 1971
viii+291 pages
in the Unlimited Edition

Wikipedia
WorldCat

PDF (58 MB, no OCR)