Filed under book | Tags: · art, collaboration, design, floss, free software, graphic design, libre graphics, peer production, print, software, standards, typography
“I think that conversations are the best, biggest thing that free software has to offer its user.
An extensive collection of conversations between developers and designers involved in the wider ecosystem of Libre Graphics. Speaking to each other about tools for typography, lay-out and image processing they render a portrait of a community gradually understanding the interdependencies between Free Software and design. Conversations is edited by Femke Snelting in collaboration with Christoph Haag.”
In conversation with: Agnes Bewer, Alexandre Leray, An Mertens, Andreas Vox, Asheesh Laroia, Carla Boserman,Christina Clar, Chris Lilley, Christoph Haag, Claire Williams, Cornelia Sollfrank, Dave Crossland, Dmytry Kleiner, Denis Jacquery, Dmytri Kleiner, Eleanor Greenhalgh, Eric Schrijver, Evan Roth, Femke Snelting, Franziska Kleiner, George Williams, Gijs de Heij, Harrisson, Ivan Monroy Lopez, John Haltiwanger, John Colenbrander, Juliane De Moerlooze, Julien Deswaef, Larisa Blazic, Ludivine Loiseau, Manuel Schmalstieg, Matthew Fuller, Michael Murtaugh, Michael Terry, Michele Walther, Miguel Arana Catania, momo3010, Nicolas Malevé, Pedro Amado, Peter Westenberg, Pierre Huyghebaert, Pierre Marchand, Sarah Magnan, Stéphanie Vilayphiou, Tom Lechner, Urantsetseg Ulziikhuu, Xavier Klein.
Publisher Constant, Brussels, January 2015
Free Art License 1.3
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Filed under book | Tags: · anthropology, collaboration, ethnography, floss, free software, knowledge, knowledge production, peer production, software, trust, web, wikipedia
With an emphasis on peer–produced content and collaboration, Wikipedia exemplifies a departure from traditional management and organizational models. This iconic “project” has been variously characterized as a hive mind and an information revolution, attracting millions of new users even as it has been denigrated as anarchic and plagued by misinformation. Has Wikipedia’s structure and inner workings promoted its astonishing growth and enduring public relevance?
In Common Knowledge?, Dariusz Jemielniak draws on his academic expertise and years of active participation within the Wikipedia community to take readers inside the site, illuminating how it functions and deconstructing its distinctive organization. Against a backdrop of misconceptions about its governance, authenticity, and accessibility, Jemielniak delivers the first ethnography of Wikipedia, revealing that it is not entirely at the mercy of the public: instead, it balances open access and power with a unique bureaucracy that takes a page from traditional organizational forms. Along the way, Jemielniak incorporates fascinating cases that highlight the tug of war among the participants as they forge ahead in this pioneering environment.
Publisher Poltext, Warsaw, 2013
Publisher Stanford University Press, 2014
ISBN 0804789444, 9780804789448
Filed under magazine | Tags: · floss, free culture, free software, gender, graphic design, libre graphics, software
The current issue of Libre Graphics engages with discussions around representation and gendered work in Free/Libre Open Source Software and Free Culture.
Why Gendering F/LOSS? In the world of F/LOSS, and in the larger world of technology, debate rages over the under-representation of women and the frat house attitude occasionally adopted by developers. The conventional family lives of female tech executives are held up as positive examples of progress in the battle for gender equity. Conversely, pop-cultural representations of male developers are evolving, from socially awkward, pocket-protectored nerds to cosmopolitan geek chic. Both images mask the diversity of styles and gender presentations found in the world of F/LOSS and the larger tech ecology. Those images also mask important discussions about bigger issues: is it okay to construct such a strict dichotomy between “man” and “woman” as concepts; how much is our work still divided along traditional gender lines; is it actually enough to get more women involved in F/LOSS generally, or do we need to push for specific kinds of involvement; do we stop at women, or do we push for a more inclusive understanding of representation?
This issue looks at some of the thornier aspects of gender in F/LOSS art and design. In discussing gendered work, the push for greater and greater inclusion in our communities, and representations of gender in our artistic practices, among others, we hope to add and amplify voices in the discussion.
Edited by Ana Isabel Carvalho, ginger coons and Ricardo Lafuente
Publisher ginger coons, January 2014
Creative Commons Attribution-Share Alike license
Filed under journal | Tags: · code, critique, floss, free software, hacking, software
The issue explores the contemporary ability of Free Software to constitute a form of epistemological and material critique of contemporary societies. It does so with five research papers and three pieces in a “debate section”.
Contributions by Tyler Handley, Angela Daly, Douglas Haywood, Dan McQuillan, Morgan Currie/Christopher Kelty/Luis Felipe Rosado Murillo, Christopher Kelty, Katja Mayer and Judith Simon, David Hakken.
Edited by Maurizio Teli and Vincenzo D’Andrea
Published in July 2013
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Filed under magazine | Tags: · art, feminism, floss, hackerspace, hacking, hacktivism, software, technology
“Founded by artist-run-centre Studio XX in 2004, in Montreal, the publication .dpi has recently undergone a major transformation in order to assert itself as a feminist journal of art and digital culture. In 2013, with continuing administrative and technological support from Studio XX, the journal .dpi became an independent project, with a new platform (beta version) and new team including permanent editor in chief, Sophie Le-Phat Ho, and a new editorial committee composed of Julie Alary Lavallée, Amber Berson, Esther Bourdages, Christina Haralanova, Corina MacDonald, Katja Melzer, Candace Mooers and Deanna Radford.
In a time when social gains are threatened, funding for artist-run-centres is precarious, and the need for intelligent critique is urgent, the new crew at .dpi wishes to respond to a real need for the creation of an interdisciplinary community of those at once curious and critical of technologies, feminisms and art.
Bringing together a dozen local and international participants, .dpi 27 presents a themed section on hacktivism coordinated by Christina Haralanova, a feminist activist and researcher who is interested by freedom in technology and open-source software. Hacktivism: the Art of Practicing Life and Computer Hacking for Feminist Activism brings together unique perspectives and critiques of the current state of hacktivism, a fusion of hacking and activism.”
Published in Montreal, April 2013
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