Mutually: Communities of the 1970s and 1980s / Navzájem: Společenství 70. a 80. let, catalogue (2013) [EN/SK/CZ]

Catalogue for an exhibition held in March-May 2013 at tranzitdisplay in Prague and The Brno House of Arts, Czech Republic, curated by Barbora Klímová, Daniel Grúň and Filip Cenek.

The selected fragments in this exhibition, borrowed from the archives of Moravian, Slovak, and Hungarian artists, reference different communities within the framework of “unofficial culture” during the period of Czechoslovak normalisation in the 1970s-80s.

Publisher tranzitdisplay, Prague, and The House of Arts, Brno, 2013
44 pages
via Academia.edu

Publisher

PDF

Karin Grace Oen: Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China (2012)

Wu Shanzhuan, The Big Characters, 1985. (source)

“China’s Reform Era (1978-present) has seen the reinvigoration of academic, and artistic practice, and a rapprochement between the Chinese Communist Party and the intellectual elite. At its beginnings in the early- to mid-1980s the new availability of foreign texts and media led to Culture Fever, a widespread phenomenon throughout the intellectual and artistic spheres characterized by enthusiasm for the philosophy, literature, and art of the West and pre-Communist China and the simultaneous uptake of discrete Western and Confucian philosophies. These discussions often addressed modernity and modernism in China, a crucial homology to early twentieth century Chinese negotiations in literature and the arts and the development of an amalgamated ‘Chinese modernism’ comprised of elements of both Confucian and Western philosophy and aesthetics.

As this dissertation argues, key early experimental works of the Reform Era by Zhang Peili, Wu Shanzhuan, and Zhang Huan reveal a proclivity for subtle and indirect admonitory messages about China’s socio-political climate – a contemporary inhabitation of the traditional elite scholar-artist and his obligation to criticize immoral or unjust policies or actions. This admonitory practice was built by artists educated in elite academies (specifically, the Central Academy of Fine Art in Beijing and the Zhejiang Academy of Fine Art in Hangzhou) yet utilized completely new and non-academic media. What this thesis terms as an ‘art of admonition’ utilized traditional tropes, including direct remonstrations of officials, withdrawal from official life in protest, and the concept of the ‘middle hermit’ – a scholar who admonishes official policy subtly and indirectly.

The experimental practices of artists after their graduation from elite academies stemmed from the extra-curricular resources made available to them, especially the schools’ libraries. The connection of these unofficial works to the official academies, their validation by art market success, and the subsequent official endorsement accorded to these and other artists in the later Reform Era blurs the distinctions between official and unofficial artistic practice in China, suggesting a strong endorsement of the dissident artist’s role as ‘middle hermit’.” (Abstract)

Thesis, Ph. D. in History, Theory, and Criticism of Art and Architecture
Dept. of Architecture, Massachusetts Institute of Technology, 2012
Supervisor: Caroline A. Jones
214 pages

Publisher

PDF, PDF (13 MB, updated on 2017-1-11)

Christopher Scoates: Brian Eno: Visual Music (2013)

“This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno’s museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno’s contribution to new media art, while Eno himself shares insights into his process. Every copy from the publisher includes a download code for a previously unreleased piece of music created by Eno, making this collection a requisite for fans and collectors.”

Publisher Chronicle Books, San Francisco, 2013
ISBN 1452129487, 9781452129488
416 pages
via 19preguntes

Brian Eno speaks about his visual work (video, 7 min)

Publisher

EPUB (37 MB, updated on 2024-2-4)
PDF (51 MB, added on 2024-2-4)