Donna Haraway: Primate Visions: Gender, Race, and Nature in the World of Modern Science (1989)

19 June 2016, dusan

“Haraway’s discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.”

This “large book may be read from start to finish as a chronological and thematic survey of twentieth-century primatology. … But each chapter is simultaneously history of science, cultural studies, feminist exploration, and engaged intervention into the constitutions of love and knowledge in the disciplined crafting of the Primate Order. … My placing this account of primatology within SF–the narratives of speculative fiction and scientific fact–is an invitation for the readers of Primate Visions–historians, culture critics, feminists, anthropologists, biologists, anti-racists, and nature lovers–to remap the borderlands between nature and culture.” (from the Introduction)

Publisher Routledge, 1989
ISBN 0415902940, 9780415902946
ix+486 pages

Reviews: George E. Marcus (Science 1990), Alison Jolly and Margaretta Jolly (New Scientist 1990), Robin Dunbar (NY Times 1990), Louise Krasniewicz and Michael Blitz (Discourse 1990), Anne Fausto-Sterling (J Hist Biology 1990), Susan Cachel (Am J Primatology 1990), Meredith F. Small (Am J Physical Anthropology 1990), Sarah Franklin (J Hist Sexuality 1990), Matt Cartmill (Int J Primatology 1991), M. Lynn Byrd (H-Ideas 2001).

WorldCat

PDF (48 MB, added on 2021-3-10)
EPUB (3 MB)

Richard J. Powell: Black Art and Culture in the 20th Century (1997)

5 May 2016, dusan

“The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements in our century, from blues to reggae, from the paintings of Henry Ossawa Tanner to the video installations of Keith Piper. This study of 20th-century black art is the first to concentrate on the art works themselves, and on how these works, created during a major social upheaval and transformation, use black culture both as subject and as context.

From musings on the “the souls of black folk” in early twentieth-century painting, sculpture, and photography to questions of racial and cultural identities in performance, media, and computer-assisted arts in the 1990s, the book draws on the works of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Archibald Motley, Jr., Faith Ringgold, and Gerard Sekoto; biographies of more than 160 key artists provide a unique and valuable art historical resource.

Richard Powell discusses the philosophical and social forces that have shaped a black diasporal presence in 20th-century art. Placing its emphasis on black cultural themes rather than on black racial identity, this book is an important exploration of the visual representations of black culture throughout the twentieth century.”

Publisher Thames & Hudson, London, 1997
World of Art series
ISBN 0500202958, 9780500202951
256 pages

Reviews: Deborah Kempe (Art Documentation 1997), Steven Nelson (Art Journal 1998), Kymberly N. Pinder (Art Bulletin 1999), Elizabeth Harney (Nka 1999), Donna Seaman (Booklist).

Author (2nd ed.)
Publisher (2nd ed.)
WorldCat

PDF (59 MB, no OCR)

Fire!! Devoted to Younger Negro Artists (1926)

5 May 2016, dusan

A legendary single-issue literary magazine published during the Harlem Renaissance in New York City.

The publication was edited by Wallace Thurman in association with Langston Hughes, Gwendolyn Bennett, Richard Bruce Nugent, Zora Neale Hurston, Aaron Douglas, and John P. Davis. The magazine’s founders wanted to express the changing attitudes of younger African Americans, exploring issues such as homosexuality, bisexuality, interracial relationships, promiscuity, prostitution, and color prejudice.

Published in New York City, Nov 1926
Reissued 1982 by The Fire!! Press, with introductions by Richard Bruce Nugent and Thomas H. Wirth
[4]+48 pages
HT Temi Odumosu, via POC Zine Project

Reissue
Wikipedia

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