Mikkel Bolt, Jakob Jakobsen (eds.): Cosmonauts of the Future: Texts from the Situationist Movement in Scandinavia and Elsewhere (2015)

“This is the first ever English-language anthology collecting texts and documents from the still little-known Scandinavian part of the Situationist movement.

The book covers over three decades of writing, from Asger Jorn’s Luck and Chance published in 1953, to the statements of the Situationist Antinational set up by Jens Jørgen Thorsen and J.V. Martin in 1974. The writings collected gravitate around the year 1962 when the Situationist movement went through it’s most dynamic and critical moments, and the disagreements about the relationship between art and politics came to a culmination, resulting in exclusions and the split of the Situationist International.

The Situationists did not win, and the almost forgotten Scandinavian fractions even less so. The book broadens the understanding of the Situationist movement by bringing into view the wild and unruly activities of the Scandinavian fractions of the organisation and the more artistic, experimental, and actionist attitude that characterised them. They did, nevertheless, constitute a decisive break with the ruling socio-economic order through their project of bringing into being new forms of life. Only an analysis of the multifaceted and often contradictory Situationist revolution will allow us to break away from the dull contemplation of yet another document of Debord’s archive or yet another drawing by Jorn.

There is a lot to be learned from the history of revolutionary failure. It is along these lines that this book points forward beyond the crisis-ridden capitalist order that survives today.”

Texts by Asger Jorn, Jørgen Nash, Jens Jørgen Thorsen, Bauhaus Situationniste, Jacqueline de Jong, Gordon Fazakerley, Gruppe SPUR, Dieter Kunzelman, J.V. Martin, and Guy Debord.

Translated by Peter Shield, James Manley, Anja Buchele, Matthew Hyland, Fabian Tompsett, and Jakob Jakobsen
Publisher Nebula, Copenhagen, in association with Autonomedia, New York, May 2015
This book can be freely pirated and quoted except for the texts covered by copyrights.
ISBN 9788799365180 (Nebula), 9781570273049 (Autonomedia)
304 pages

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Distributor (Minor Compositions)

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See also Bolt, Jakobsen (eds.), Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere, 2011.
More on Situationists

David Crowley, Daniel Muzyczuk (eds.): Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984 (2012) [English/Polish]

“In the aftermath of Stalinism, composers and artists in Eastern Europe were given new opportunities to experiment. New recording studios equipped with magnetic tape recorders and later, synthesizers were established, first in Warsaw in 1957 and then throughout Eastern Europe. New and often challenging forms of music were produced in these laboratories of sound.

The connections between the visual arts and experimental music were closer in the 1960s than perhaps any time before or since. Sound and image combined in artists’ films, ‘happenings’ and sounding installations. Experimental forms of notation were also created to stimulate uninhibited musical expression.

The early happenings and actions of the 1960s were associated with intellectual freedom and reform. The exhilaration of experimentation declined during the decade and in the 1970s new critical forms of art emerged which associated sound with surveillance and censorship.

This book accompanying an 2012 exhibition at the Muzeum Sztuki in Łódź explores both the optimism and the anxiety that was to be found in the experimental zone of art and music.”

The exhibition later moved to the Calvert 22 Gallery in London.

Artists: Collective Actions, Walerian Borowczyk, Andrzej Dłużniewski, Szábolcs Esztényi, László Vidovszky, Krzysztof Wodiczko, Grzegorz Kowalski, Zygmunt Krauze, Henryk Morel and Cezary Szubartowski, Eugeniusz Rudnik, Bulat Galeyev, Milan Grygar, Milan Knížák, Oskar Hansen, Zofia Hansen, Zoltán Jeney, Vitaly Komar & Alexander Melamid, Katalin Ladik, Jan Lenica, Dóra Maurer, Vladan Radovanović, Józef Robakowski, Bogusław Schaeffer.

Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957–1984
Publisher Muzeum Sztuki, Łódź, 2012
ISBN 9788387937980
222 pages

David Crowley’s presentation at MoMA (video, 50 min)
Sounding the Body Electric: A Conversation (Michał Libera, Art Margins)
Accompanying audio 2-CD

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PDF (exh. guide, Calvert 22 Gallery, London, 2013, added on 2023-12-27)

Francis Spufford: Red Plenty: Inside the Fifties’ Soviet Dream (2010)

This book is about the moment in the mid-20th century when people believed that the state-owned Soviet economy might genuinely outdo the market, and produce a world of rich communists and envious capitalists. Specifically, it’s about the last and cleverest version of the idea – central planning via cybernetics – and about how and why, in the 1960s, it failed. To give the economics some human depth, Red Plenty generates a miniature Soviet Union on the page, peopled by scientists and politicians, fixers and managers, dreamers and cynics.

Publisher Faber & Faber, 2010
ISBN 0571269478, 9780571269471
356 pages

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Publisher

EPUB (updated on 2019-11-20)

See also:
Red Plenty Platforms, essay by Nick Dyer-Witheford, Culture Machine 14, 2013
Red Plenty: A Crooked Timber, collection of essays inspired by the book, 2012