ReD (Revue Devětsilu): modern culture monthly (1927-1931) [Czech]
Filed under magazine | Tags: · architecture, art, art theory, avant-garde, bauhaus, constructivism, czechoslovakia, dada, design, film, graphic design, literature, photography, poetry, psychoanalysis, radio, surrealism, theatre



ReD (měsíčník pro moderní kulturu / Revue internationale illustrée de l’activité contemporaine / Internationale Monatsschrift für moderne Gestaltung) was an art magazine published by members of the Czech avant-garde art collective Devětsil.
Thirty numbers were published, with the special issues on the Russian avant-garde, Bauhaus, and photography/film/typography.
Several manifestos appeared in the journal: Toyen and Jindřich Štyrský’s Artificielisme (1:1, 1927), Karel Teige’s second Poetism manifesto [Manifest Poetismu] (1:9, 1928), and the Left Front [Levá fronta]’s founding manifesto (3:2, 1929).
Edited and designed by Karel Teige
Publisher Odeon – Jan Fromek, Prague
via NYPL Digital Library
Each volume in a single PDF (low resolution):
Volume I, 1927-1928 (10 issues, 360 pages)
Volume II, 1928-1929 (10 issues, 324 pages)
Volume III, 1929-1931 (10 issues, 315 pages)
Selected issues in separate PDFs:
The Russian Issue (1:2, Nov 1927)
Foto Film Typo Issue (2:8, Apr 1929)
The Bauhaus Issue (3:5, Feb 1930, partly in German)
JPG pages (search in page annotations):
View online
See also Devětsil: Revoluční sborník (1922), edited by Jaroslav Seifert and Karel Teige, in Czech.
Comment (1)Kenneth Goldsmith: Uncreative Writing: Managing Language in the Digital Age (2011)
Filed under book | Tags: · appropriation, authorship, conceptual writing, concrete poetry, data, language, literary theory, literature, poetry, technology, text, uncreative writing

“Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist.
In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning.”
Publisher Columbia University Press, 2011
ISBN 0231149913, 9780231149914
272 pages
Interviews with author: CUP blog (2011), Mark Allen (The Awl, 2013).
Reviews: Andrea Quaid (American Book Review, 2011), Sam Rowe (Full Stop, 2011), Stephen Burt (London Review of Books, 2012), Amelia Chesley (J Electronic Publishing, 2012), Michael Jauchen (HTMLGiant, c2012), Grant Matthew Jenkins (James Joyce Quarterly, 2012), Andrew McCallum (English in Education, 2013).
Commentary: Special section of American Book Review dedicated to uncreative writing (ed. Doug Nufer, 2011).
HTML (added on 2016-03-01)
EPUB (updated on 2015-10-9)
Augusto de Campos, Décio Pignatari, Haroldo de Campos: Teoria da Poesia Concreta – Textos Críticos e Manifestos 1950-1960, 2a ed. (1965/1975) [Portuguese]
Filed under book | Tags: · concrete poetry, literary theory, literature, poetry, visual poetry

O concretismo alterou profundamente a realidade da poesia brasileira. Revisou o passado literário do país e retomou o diálogo com o modernismo de 1922; pôs ideias em circulação e colocou à arte novos desafios. Hoje, está presente também na linguagem da propaganda, nos slogans da televisão, na diagramação de livros, nas letras de bossa nova. Este volume reúne os textos inaugurais do movimento concreto e recupera uma história que andava obscurecida pelos preconceitos de seus opositores.
First published in 1965
Publisher Livraria Duas Cidades, São Paulo, 1975
207 pages
via Horacio Gutiérrez
Pignatari’s bibliography at Monoskop wiki
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