Blurting in A & L [Art & Language] (1973/2002) [English/German]
Filed under book | Tags: · ambiguity, anthropology, art, art criticism, art system, autonomy, conceptual art, experience, ideology, knowledge, language, learning, mapping, philosophy, theory, translation, work
Blurting in A & L is a printed booklet whose content is a dictionary with blurts or ‘annotations’. The annotations were written by the members of Art & Language Ian Burn, Michael Corris, Preston Heller, Joseph Kosuth, Andrew Menard, Mel Ramsden and Terry Smith.
“The project began as a collaboration among Art & Language members in New York City. In weekly meetings from January to July 1973, eight participants produced written statements called ‘annotations’ or ‘blurts’ on topics ranging from the ordinary to the abstruse (art, learning, ambiguity, heuristics, stimulus-meaning). In each subsequent meeting the group would return with new statements that ‘went on’ from the last week’s annotations. In the end, through the efforts of Michael Corris and Mel Ramsden the comments were compiled in a handbook. In all, some 400 odd entries were edited and grouped according to subheadings with vague quasi-logical connectors linking them to one another.
Since the connections among the entries were many-to-many, readers could choose their own course through the material, which blurred the boundary between passive reader and active participant. This was a key ideology of Art & Language – the idea that membership was permeable or, as one participant put it, ‘a function of participation’.” (from a commentary by Chris Gilbert, Mute, 2002)
An online version installed by ZKM, Karlsruhe, in 2002 includes articles which contextualize Blurting in A & L within the activities of the group in the 1970s. Present and former members of Art & Language (Michael Baldwin, Michael Corris, Philip Pilkington, Mel Ramsden) summarize and reflect on their activities. Thomas Dreher embeds Blurting in A & L within the proceedings of the discourse of Art & Language.
Blurting in A&L: An Index of Blurts and Their Concatenation (the Handbook) Constitutes a Problematic; That Is, You Can’t (at Least Not Without Deliberation) Ignore Possible Pathways Without Losing Embeddedness (Ideolects); Deliberation (Here, the Issue of Going-On Becomes a Self-Conscious Construction for the Reader) Admits Broader Reflection of a Context of Our/Your/Other Activities: Namely, the Structure of Our/Your Language/Culture and (the Prospect of) Revisability of Our/Your Language/Culture
Edited by Michael Corris, Mel Ramsden
Publisher Art & Language Press, New York, and The Mezzanine, Nova Scotia College of Art, Halifax, 1973
92 pages
Online version and accompanying publication edited by Thomas Dreher, 2002.
Announcement of the hypertext version (Syndicate, 2002)
Blurting in A & L (1973, HTML)
Blurting in A & L Online (English, 2002, HTML)
Blurting in A & L Online (German, 2002, HTML)
Walter Benjamin: Selected Writings, Volume 1: 1913–1926 (1996)
Filed under book | Tags: · aesthetics, language, literary criticism, literature, philosophy, translation, weimar republic, writing
“Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined “to be considered as the principal critic of German literature.” But the scene, as he found it, was dominated by “talented fakes,” so—to use his words—“only a terrorist campaign would I suffice” to effect radical change. This book offers the record of the first phase of that campaign, culminating with “One Way Street,” one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword.
Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany’s most influential journals.
The volume includes a number of his most important works, including “Two Poems by Friedrich Hölderlin,” “Goethe’s Elective Affinities,” “The Concept of Criticism in German Romanticism,” “The Task of the Translator,” and “One Way Street.” He is as compelling and insightful when musing on riddles or children’s books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics.
Benjamin’s sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.”
Some parts first appeared in Gesammelte Schriften, Band I, Suhrkamp, Frankfurt, 1972
Edited by Marcus Bullock and Michael W. Jennings
Publisher Belknap Press, 1996
ISBN 0674945859, 9780674945852
528 pages
via Scribd.com
Review (J.M. Coetzee, The New York Review of Books)
Review (Eli Friedlander, boundary 2)
PDF (no OCR)
Comments (2)Matthew Fuller, Andrew Goffey: Evil Media (2012)
Filed under book | Tags: · algorithm, art, artificial intelligence, business, code, computing, data, database, event, governance, information, interaction, interface, knowledge, labour, language, machine, management, market, media, media theory, memory, military, networks, philosophy, political theory, politics, power, programming, software
“Evil Media develops a philosophy of media power that extends the concept of media beyond its tried and trusted use in the games of meaning, symbolism, and truth. It addresses the gray zones in which media exist as corporate work systems, algorithms and data structures, twenty-first century self-improvement manuals, and pharmaceutical techniques. Evil Media invites the reader to explore and understand the abstract infrastructure of the present day. From search engines to flirting strategies, from the value of institutional stupidity to the malicious minutiae of databases, this book shows how the devil is in the details.
The title takes the imperative “Don’t be evil” and asks, what would be done any differently in contemporary computational and networked media were that maxim reversed.
Media here are about much more and much less than symbols, stories, information, or communication: media do things. They incite and provoke, twist and bend, leak and manage. In a series of provocative stratagems designed to be used, Evil Media sets its reader an ethical challenge: either remain a transparent intermediary in the networks and chains of communicative power or become oneself an active, transformative medium.”
Publisher MIT Press, 2012
ISBN 0262304406, 9780262304405
235 pages
Review: Nicholas Holm (Media Int’l AU, 2013), Neural (2013).
Evil media on Monoskop wiki
PDF (updated on 2024-4-13)
HTML (added on 2015-8-28)
See also YoHa, et al., Evil Media Distribution Centre, 2013.
Comments (2)