Félix Guattari: Chaosophy: Texts and Interviews 1972–1977, new ed. (2008)

5 April 2011, dusan

Chaosophy is an introduction to Félix Guattari’s groundbreaking theories of “schizo-analysis”: a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, who utilized neuroses as his working model, Guattari adopted the model of schizophrenia—which he believed to be an extreme mental state induced by the capitalist system itself, and one that enforces neurosis as a way of maintaining normality. Guattari’s post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of the micropolitical means for its subversion.

Chaosophy includes Guattari’s writings and interviews on the cinema (such as ‘Cinema Fou’ and ‘The Poor Man’s Couch’), a group of texts on his collaborative work with Gilles Deleuze (including the appendix to the second edition of Anti-Oedipus, not available in the English edition), and his texts on homosexuality (including his “Letter to the Tribunal” addressing the French government’s censorship of the special gay issue of Recherches he edited, which earned him a fine for publishing “a detailed exposition of depravity and sexual deviations… the libidinous exhibition of a minority of perverts”). This expanded edition features a new introduction by François Dosse (author of a new biography of Guattari and Gilles Deleuze), along with a range of added essays—including ‘The Plane of Consistency,’ ‘Machinic Propositions,’ ‘Gangs in New York,’ and ‘Three Billion Perverts on the Stand’—nearly doubling the contents of the original edition.”

Edited by Sylvère Lotringer
Introduction by François Dosse
Publisher Semiotext(e), 2008
Foreign Agents series
ISBN 1584350601, 9781584350606
300 pages

Publisher

PDF (updated on 2017-6-26)

Charles Harrison, Paul Wood (eds.): Art in Theory 1900-1990: An Anthology of Changing Ideas (1992) [English, French]

4 August 2009, dusan

“This volume provides comprehensive representation of the theories, which underpinned developments in the visual arts during the twentieth century. As well as writings by artists, the anthology includes texts by critics, philosophers, politicians and literary figures. The content is structured into eight broadly chronological sections, starting with the legacy of symbolism and concluding with contemporary debates about the postmodern.”

Publisher Blackwell, 1992
Reprinted 1999
ISBN 0631165754, 978-0631165750
1220 pages

Review: Patricia Railing (Art Book, 2004).

Publisher

Art in Theory 1900-1990 (English, 1992, 13 MB, updated on 2015-9-5)
Art en théorie 1900-1990 (French, 1997, 24 MB, added on 2016-6-26)