Judith A. Hoffberg (ed.): Umbrella (1978–2008)

Umbrella was a newsletter-magazine edited and published by Judith A. Hoffberg from 1978 until 2008. In her work, Hoffberg enthusiastically championed Fluxus, inexpensive artists’ books, mail art, rubber-stamp art, and many other offbeat forms of expression of the second half of the 20th century all of which found their way into Umbrella in the form of interviews, news and reviews.

Géza Perneczky credits Umbrella as “perhaps the most comprehensive and most usable unofficial source of information” on mail art and artists’ publications during the period from 1978 to 1984. (in The Magazine Network, 1993: 12)

Publisher Umbrella Associates, Santa Monica, CA
Open Access, the archive is hosted by the Herron Art Library of IUPUI University Library
ISSN 0160-0699

The Career and Collection of Judith A. Hoffberg (Anthony Marcus Leslie, dissertation, advisor: Johanna Drucker, 2012, 151 pp)
UmbrellaEditions.com

View online (PDF articles of the full run of the magazine)

Libre Graphics magazine 2(2): Gendering F/LOSS (2014)

The current issue of Libre Graphics engages with discussions around representation and gendered work in Free/Libre Open Source Software and Free Culture.

Why Gendering F/LOSS? In the world of F/LOSS, and in the larger world of technology, debate rages over the under-representation of women and the frat house attitude occasionally adopted by developers. The conventional family lives of female tech executives are held up as positive examples of progress in the battle for gender equity. Conversely, pop-cultural representations of male developers are evolving, from socially awkward, pocket-protectored nerds to cosmopolitan geek chic. Both images mask the diversity of styles and gender presentations found in the world of F/LOSS and the larger tech ecology. Those images also mask important discussions about bigger issues: is it okay to construct such a strict dichotomy between “man” and “woman” as concepts; how much is our work still divided along traditional gender lines; is it actually enough to get more women involved in F/LOSS generally, or do we need to push for specific kinds of involvement; do we stop at women, or do we push for a more inclusive understanding of representation?

This issue looks at some of the thornier aspects of gender in F/LOSS art and design. In discussing gendered work, the push for greater and greater inclusion in our communities, and representations of gender in our artistic practices, among others, we hope to add and amplify voices in the discussion.

Edited by Ana Isabel Carvalho, ginger coons and Ricardo Lafuente
Publisher ginger coons, January 2014
Creative Commons Attribution-Share Alike license
ISSN 1925-1416
56 pages

Publisher

PDF (31 MB, low-res version for screen)
PDF (360 MB, high-res version for print)

In Transition: A Paris Anthology: Writing and Art from Transition Magazine 1927-30 (1990)

A selection of the some of the best writing to appear in transition, an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. Founded in 1927 by Paris-based poet Eugene Jolas, it was originally intended to serve as an outlet for experimental poetry, but gradually expanded to incorporate contributions from sculptors, photographers, writers, civil rights activists, critics, and cartoonists. The magazine ran through the spring of 1938, with a total of 27 issues published.

With texts by Samuel Beckett, Paul Bowles, Kay Boyle, Georges Braque, Alexander Calder, Hart Crane, Giorgio De Chirico, Andre Gide, Robert Graves, Ernest Hemingway, James Joyce, C. G. Jung, Franz Kafka, Paul Klee, Archibald MacLeish, Man Ray, Joan Miro, Pablo Picasso, Katherine Anne Porter, Rainer Maria Rilke, Diego Rivera, Gertrude Stein, Tristan Tzara, William Carlos Williams and others.

With an Introduction by Noel Riley Fitch
Publisher Anchor Books, Doubleday, New York, 1990
ISBN 0385411502, 9780385411509
256 pages
via leninbert

Wikipedia

PDF
Scans of 18 issues of the magazine (at National Library of France)