Jimmie Durham: A Certain Lack of Coherence: Writings on Art and Cultural Politics (1993)

A collection of writings by the American Indian Movement activist, poet and contemporary artist.

“In 50 articles, reviews, polemics and poems, Durham attacks the bases of the US nation-state, its cowboys’n’indians foundation myths, its commercialisation of Indian wisdom, and the very impossibility of speaking about the Indian experience in English. For a people so massively colonised, victims of an ongoing genocide, art is no luxury. It is the necessarily tricky, duplicitous practice of the Coyote, revealing over and over again the ignorance of power and celebrating its own escapades and escapes.” (from a review by Sean Cubitt, Frieze, 1994)

Edited by Jean Fisher
Publisher Kala Press, London, 1993
ISBN 0947753044, 9780947753047
255 pages
via x

Review: Tony Godfrey (Art Book 1994).

WorldCat

PDF (15 MB, no OCR)
ARG

Richard H. Grove: Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860 (1995)

“Green Imperialism is the first book to document the origins and early history of environmentalism, concentrating especially on its hitherto unexplained colonial and global aspects. It highlights the significance of Utopian, Physiocratic, and medical thinking in the history of environmentalist ideas. The book shows how the new critique of the colonial impact on the environment depended on the emergence of a coterie of professional scientists, and demonstrates both the importance of the oceanic island “Eden” as a vehicle for new conceptions of nature and the significance of colonial island environments in stimulating conservationist notions.”

Publisher Cambridge University Press, 1995
Studies in Environment and History series
ISBN 0521565138, 9780521565134
540 pages

Reviews: Elvin (London Review of Books, 1995), Carruthers (H-Africa, 1996), Rangarajan (Telegraph, 1995), Harrison (British Journal for the History of Science, 1996), Hughes (Journal of World History, 1996), Harrison (British Journal for the History of Science, 1996), MacKenzie (International History Review, 1996), Luckin (Reviews in History, 1996).

Publisher

PDF (28 MB, updated on 2015-2-21)

Ariel Dorfman, Armand Mattelart: How to Read Donald Duck: Imperialist Ideology in the Disney Comic (1972–) [ES, IT, EN, PT, TR]

How to Read Donald Duck is a Marxist political analysis by Ariel Dorfman and Armand Mattelart on what they perceive is cultural imperialism in popular entertainment, published in Chile in 1972. Written in the form of essay (or, in the authors’ words, a “decolonization manual”), the book is an analysis of mass literature, specifically the Disney comics published for the Latin American market. It is one of the first social studies of entertainment and the leisure industry from a political-ideological angle, and the book deals extensively with the political role of children’s literature. (from Wikipedia)

First published by Ediciones Universitarias de Valparaíso, Chile, 1972

First published in English in 1975
Translated and with an Introduction by David Kunzle
With Appendix by John Shelton Lawrence
Publisher International General, New York, 1991 (Fourth printing)
ISBN 0884770370
119 pages
via Quaxo Coricopat

An interview with Mattelart in which he shortly discusses the book (2008, in English)
2012 project for appropriation of the book (includes its online edition)

Para leer al Pato Donald. Comunicación de masa y colonialismo (Spanish, 18th ed., 1972/1979)
Come leggere Paperino. Ideologia e politica nel mondo di Disney (Italian, trans. Gianni Guadalupi, 1972, added on 2023-7-31)
How to Read Donald Duck: Imperialist Ideology in the Disney Comic (English, trans. David Kunzle, 1975/1991, 10 MB, updated 2015-5-10)
Para ler o Pato Donald: comunicação de massa e colonialismo (Portuguese, trans. Álvaro de Moya, 2nd ed., 1976/1980)
Emperyalist Kültür Sanayii ve Walt Disney: Vakvak Amca Nasıl Okunmalı? (Turkish, trans. Atilla Aksoy, 1977)