Judy Malloy (ed.): Women, Art, and Technology (2003)

“Although women have been at the forefront of art and technology creation, no source has adequately documented their core contributions to the field. Women, Art, and Technology, which originated in a Leonardo journal project of the same name, is a compendium of the work of women artists who have played a central role in the development of new media practice. The book includes overviews of the history and foundations of the field by, among others, artists Sheila Pinkel and Kathy Brew; classic papers by women working in art and technology; papers written expressly for this book by women whose work is currently shaping and reshaping the field; and a series of critical essays that look to the future.

Artist contributors include computer graphics artists Rebecca Allen and Donna Cox; video artists Dara Birnbaum, Joan Jonas, Valerie Soe, and Steina Vasulka; composers Cecile Le Prado, Pauline Oliveros, and Pamela Z; interactive artists Jennifer Hall and Blyth Hazen, Agnes Hegedus, Lynn Hershman, and Sonya Rapoport; virtual reality artists Char Davies and Brenda Laurel; net artists Anna Couey, Monika Fleischmann and Wolfgang Strauss, Nancy Paterson, and Sandy Stone; and choreographer Dawn Stoppiello. Critics include Margaret Morse, Jaishree Odin, Patric Prince, and Zoe Sofia.”

Foreword by Pat Bentson
Publisher MIT Press, 2003
ISBN 0262134241, 9780262134248
541 pages

Editor
Publisher

PDF (6 MB, updated on 2020-4-23)

Nick Kaye: Site Specific Art: Performance, Place and Documentation (2000)

“Site Specific Art traces the historical antecedents of today’s installation and performance art, while also assembling a documentation of contemporary practice around the world.

The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artworks from practitioners and artists working today. The artistic processes involved are demonstrated through new articles from Meredith Monk, Station House Opera, Brith Gof, Forced Entertainment, and Michelangelo Pistoletto.”

Publisher Routledge, 2000
ISBN 0415185599, 9780415185592
238 pages

Publisher

PDF (updated 2011-9-3)

Mariellen R. Sandford (ed.): Happenings and Other Acts (1995)

“The works of art and performance known as Happenings have often been considered to be the key to an understanding of the late twentieth-century avant-garde. Happenings and Other Acts discusses what ‘Happenings’ were, who made them and why, and the relationship they have to their origins in Dadaism and their antecedents in performance art. Articles, statements, interviews and essays by and about some of the most influential avant-garde artists and performers–Allan Kaprow, John Cage, Claes Oldenburg, Ann Halprin and George Maciunas–are presented here for the first time since they were originally published. The volume concludes with a commissioned essay by Gunter Berghaus on European Happenings.”

Publisher Routledge, 1995
ISBN 0415099366, 9780415099363
xxv+397 pages

Reviews: Marla Carlson (Theatre J, 1996), Ágnes Ivacs (Artpool, n.d.).

PDF (6 MB, updated on 2016-12-23)