Umělec (1997–) [CZ, EN, DE, ES]

“Since its inception Umelec has remained the only international art magazine in English about contemporary visual culture in Central Europe and beyond. Umelec is dedicated to more focused regional or national issues, and always tries to bring to life the current social-cultural situation, including its more marginal aspects. We do not consider culture as a decoration of the state body, but as one of the most important inspiring values of life, even if it is radical or strange.” (from the publisher)

Publisher: Divus (Ivan Mečl), Prague/London/Berlin
Editor-in-chief: Palo Fabuš; formerly: Lenka Lindaurová and Vladan Šír, Jiří Ptáček, Alena Boika
Graphic design: Dita Lamačová; formerly: Dan Vlček, Ondřej Strnad, Jakub Němeček, Ivan Mečl

Issue 1/2012 (English, HTML), also in German, Czech.
Issue 2/2011 (English, HTML), also in German, Czech.
Issue 1/2011 (English, HTML), also in German, Czech.
Other issues (HTML), incl. Special issues: “Austrian” (2009–1, EN/CZ/DE), “Mexican” (2007–2, EN/CZ/DE/ES), “German” (2005–2, EN/CZ/DE), “Swiss” (2006–2, EN/CZ), “French” (2002–1, EN/CZ). The issues from 2005–3 up to 2009–1 were also published in Spanish.

Never Mind the Balance Sheet: The Dangers Posed by Public-Private Partnerships in Central and Eastern Europe (2008)

In recent years public-private partnerships (PPPs) have been heavily promoted in central and eastern Europe (CEE), often giving the impression that where infrastructure is concerned, PPPs are the only game in town. Yet behind the plethora of conferences, workshops and publications, few CEE countries have implemented more than two or three PPP projects, and even fewer truly successful projects.

As George Monbiot, UK author and investigative journalist, says of the Private Finance Initiative, the British variant on PPP: “The reality is that PFI, or public private partnership as the government now prefers to call it, is a scam. (…) Far from introducing market disciplines, it has become an official licence to fleece the taxpayer. Far from reducing the public sector borrowing requirement, PFI is, as the Accounting Standards Board has noted, simply an an off-balance sheet fiddle. Most alarmingly, the ministers I have spoken to simply do not understand how it works.”

Research and writing: Fidanka Bacheva-McGrath, Eliska Cisarova, Akos Eger, Pippa Gallop, Zvezdan Kalmar, Vera Ponomareva
Publisher CEE Bankwatch Network, November 2008
Creative Commons Attribution-NonCommercial-NoDerivs License
60 pages

The Hidden Costs of of Public-Private Partnerships online resource

publisher

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Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010 (2012) [English/German]

“The long traditions of experimental music cultures in Central and Eastern Europe are diverse and multifaceted, but have been difficult to access until now. With contributions from selected music, media and cultural studies specialists from eight countries, this anthology bundles together elements of unearthing material locally and documents current positions and historical finds by protagonists, as well as musical aesthetic qualities in the history of musical experiments in Central and Eastern Europe. The anthology pursues commonalities and singularities and discusses their relationship with the international history of experimental music.

The often barely known musical and artistic positions portrayed here show a wide stylistic and aesthetic spectrum of electro-acoustic music, composed and improvised music, musical media art and audio art from 60 years of experimental musical culture in the context of decades-long political repression and an atmosphere of increasing openness and international networking following 1989.”

With contributions by Antoni Beksiak, Balázs Kovács, Daiga Mazvērsīte, Gerhard Lock, Hans-Gunter Lock, Māra Traumane, Martin Flašar, Michal Rataj, Miloš Vojtěchovský, Monika Pasiecznik, Pavel Klusák, Slávo Krekovič, Tautvydas Bajarkevicius, Viestarts Gailītis.

Edited by Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer
Publisher PFAU, Saarbrücken, 2012
ISBN 9783897274877, 3897274876
400 pages

Book website
Worldcat

PDF (20 MB, added on 2019-1-25, via book website)
HTML (updated on 2019-1-31)