Edward T. Hall: Beyond Culture (1976)

“Edward Hall’s fifth book is both a summary of many themes first raised in his volume on proxemics in 1959 and a fresh insight more reminiscent of a psychologist than an anthropologist. The psychological flavor appears epigramatically in a double index to the book. First there is the ‘Index of IDEAS and techniques of TRANSCENDENCE’. Immediately following is an ‘Index of Themes’ in addition to the normal index one finds in most textbooks. The indexes signal a selfconsciousness of the main proposition advanced by Hall, viz., ‘What is called for is a massive cultural literacy movement that is not imposed but springs from within.’ This movement of the collective individual would begin to relieve the two cultural crises in the contemporary world of human experience. One crisis is the population/environment connection and the other, ‘equally lethal’, is man himself.

The analysis offered by Hall covers 15 chapters beginning with the paradoxical nature of culture, where persons and their mechanical/technological extensions are confused. In a populist flourish, Hall labels this tendency the ‘E.T. screen’. An Extension Transference emerges where one intellectually confuses an extension with the process extended. Hall readily admits this issue is not new, being the focus of the Korzybski heritage of General Semantics. Yet, Hall does make the heuristic point that culture per se is now a prime, systematic example of ET.” (from a review by Richard L. Lanigan, American Anthropologist, 1978)

Publisher Anchor Books, 1976
ISBN 0385124740, 9780385124744
320 pages

Review (Marc R. Tool, Journal of Economic Issues, 1977)

PDF (29 MB, no OCR)
See also his monograph The Silent Language, 1959.

W. J. T. Mitchell, Mark B. N. Hansen (eds.): Critical Terms for Media Studies (2010)

“Part of a larger conversation that engages culture, technology, and politics, this collection of essays explores critical language for dealing with the qualities and modes of contemporary media. The essays, commissioned expressly for this volume, are organized into three interrelated groups: “Aesthetics” engages with terms that describe sensory experiences and judgments, “Technology” offers entry into a broad array of technological concepts, and “Society” opens up language describing the systems that allow a medium to function.”

Contributors: Johanna Drucker (Art), Bernadette Wegenstein (Body), Bill Brown (Materiality), Bernard Stiegler (Memory), Caroline Jones (Senses), Eugene Thacker (Biomedia), Bruce Clarke (Communication, Information), N. Katherine Hayles (Cybernetics), Geoffrey Winthrop-Young (Hardware / Software / Wetware), John Johnston (Technology), David Graeber (Exchange), Cary Wolfe (Language), Peter Goodrich (Law), John Durham Peters (Mass Media), Alexander R. Galloway (Networks), David Wellbery (Systems), Lydia H. Liu (Writing), and W. J. T. Mitchell and Mark B. N. Hansen (Image, Time and Space, New Media).

Publisher University of Chicago Press, 2010
ISBN 0226532666, 9780226532660
376 pages

Publisher

PDF

Stewart Brand: The Media Lab: Inventing the Future at MIT (1987)

A magical mystery tour through the world of MIT’s Media Laboratory, then headed by Nicholas Negroponte and in its third year of existence. Chapter 11 develops the dictum “information wants to be free.”

Publisher Viking, New York, 1987
ISBN 0670814423
285 pages

Review (Visual Resources, 1989)
Review (AI Magazine, Lee S. Brownston, 1990)

PDF (50 MB, updated on 2014-3-26 to an OCR’d version via Marcell Mars)