Donna Haraway: How Like a Leaf: An Interview with Thyrza Nichols Goodeve (1999)

5 October 2015, dusan

A lengthy interview-conversation that covers aspects of both Haraway’s life and work.

Publisher Routledge, 1999
ISBN 0415924022, 9780415924023
197 pages

Reviews: Tony Scott (Kairos, 2000), Erika Bourguignon (NWSA Journal, 2001).
Commentary: McKenzie Wark (Public Seminar, 2015).


PDF (2 MB)

Michael Backes: Experimentelle Semiotik in Literaturavantgarden: über die Wiener Gruppe mit Bezug auf die Konkrete Poesie (2001) [German]

10 August 2015, dusan

“Mit einem beispiellosen theoretischen und praktischen Aufwand versuchte die Wiener Gruppe, etablierte Werte und realitätskonstitutive Symbolordnungen in ihren Grundfesten zu erschüttern. Die Mittel reichten von seriellen Formzerstörungen über die Dezentrierung “diskursiver Ordnungen” (Derrida, Foucault) bis hin zur aktionistischen Fiktionalisierung von Situationsdefinitionen. In einiger Hinsicht kann man also von einem Poststrukturalismus avant la lettre sprechen. Mit ihm hebt sich die Wiener Gruppe nicht nur von tradierten Literaturmodellen, sondern auch von jener Ästhetik der Selbstidentität ab, die Autoren wie Gomringer oder S.J. Schmidt vertreten. Am Leitfaden von exemplarischen Mikroanalysen entwickelt Backes ein Begriffsinstrumentarium, mit dem sich die experimentelle Semiotik der Wiener Gruppe im Verhältnis zur Konkreten Poesie adäquat erschließen und historisch situieren läßt.”

Publisher Fink, Munich, 2001
Open access
ISBN 3770534506, 9783770534500
345 pages



Jack Burnham: The Structure of Art (1971/73)

15 April 2015, dusan

Jack Burnham is a writer on art and technology, curator of the 1970 Software show, and one of the main forces behind the emergence of systems art in the 1960s. In his second book, The Structure of Art, Burnham “developed one of the first systematic methods for applying structural analysis to the interpretation of individual artworks as well as to the canon of western art history itself.”

Publisher George Braziller, New York, 1971
Revised edition, 1973
ISBN 0807605956, 9780807605950
195 pages


PDF (69 MB, no OCR)
PDF (19 MB, OCR’d version via Marcell Mars, added on 2015-4-16)

More from Burnham

Vera Maletic: Body–Space–Expression: The Development of Rudolf Laban’s Movement and Dance Concepts (1987)

4 June 2014, dusan

“In May 1926, when the choreographer Rudolf von Laban came to America on an ethnographic mission to record Native American dances, a reporter accosted him before he had even stepped ashore. As Laban recounts in his autobiography, the journalist performed a wild tap dance on deck, proffered his starched cuff to the European dance artist, and said, ‘Can you write that down?’ Laban—who had pioneered a new grammar of movement called Kinetography, or script-dance—scribbled a few dance notation signs on the man’s sleeve. The hyperbolic headline announcing Laban’s arrival read: ‘A New Way to Success. Mr. L. Teaches How to Write Down Dances. You Can Earn Millions With This.’ One entrepreneur, tempted by that prospect, tracked Laban down at his hotel and offered him a fabulous amount of money to teach the Charleston and other dances by correspondence course. Laban spurned the get-rich-quick scheme: he did not want to be a part of what he dismissed as ‘robot-culture.’ 

To the untrained eye, Kinetography looks esoteric and occult, but to the few who can read it the complex strips of hieroglyphs allow them to recreate dances much as their original choreographers imagined them. Dance notation was invented in seventeenth-century France to score court dances and classical ballet, but it recorded only formal footsteps and by Laban’s time it was largely forgotten. Laban’s dream was to create a ‘universally applicable’ notation that could capture the frenzy and nuance of modern dance, and he developed a system of 1,421 abstract symbols to record the dancer’s every movement in space, as well as the energy level and timing with which they were made. He hoped that his code would elevate dance to its rightful place in the hierarchy of arts, ‘alongside literature and music,’ and that one day everyone would be able to read it fluently.” (from Christopher Turner’s essay in Cabinet magazine, 2009/10)

The intent of this present study is to offer an examination of the origins and development of Laban’s key concepts.

Publisher Mouton de Gruyter, Berlin/New York/Amsterdam, 1987
Volume 75 of Approaches to Semiotics
ISBN 3110107805, 9783110107807
265 pages
via joandleefe

Review (Valerie Preston-Dunlop, Dance Research, 1988)

Download (40 MB)
Download (Alt link)
See also works on Laban on Monoskop wiki.

Jakob von Uexküll: A Foray Into the Worlds of Animals and Humans: A Picture Book of Invisible Worlds (1934–) [DE, EN, FR]

22 March 2014, dusan

““Is the tick a machine or a machine operator? Is it a mere object or a subject?” With these questions, the pioneering biophilosopher Jakob von Uexküll embarks on a remarkable exploration of the unique social and physical environments that individual animal species, as well as individuals within species, build and inhabit. This concept of the umwelt has become enormously important within posthumanist philosophy, influencing such figures as Heidegger, Merleau-Ponty, Deleuze and Guattari, and, most recently, Giorgio Agamben, who has called Uexküll “a high point of modern antihumanism.”

A key document in the genealogy of posthumanist thought, A Foray into the Worlds of Animals and Humans advances Uexküll’s revolutionary belief that nonhuman perceptions must be accounted for in any biology worth its name; it also contains his arguments against natural selection as an adequate explanation for the present orientation of a species’ morphology and behavior. A Theory of Meaning extends his thinking on the umwelt, while also identifying an overarching and perceptible unity in nature. Those coming to Uexküll’s work for the first time will find that his concept of the umwelt holds new possibilities for the terms of animality, life, and the framework of biopolitics.”

German edition
With illustrations by George Kriszat
Publisher J. Springer, Berlin, 1934, 102 pages
New edition, with the essay “Bedeutungslehre”, with a Foreword by Adolf Portmann, Rowohlt, Hamburg, 1956, 182 pages

English edition
Translated by Claire H. Schiller
In Instinctive Behavior: The Development of a Modern Concept, pp 5-80
Publisher International Universities Press, New York, 1957
Reprinted in Semiotica 89(4), 1992, pp 319-391

New English edition, with the essay “A Theory of Meaning”
Translated by Joseph D. O’Neil
Introduction by Dorion Sagan
Afterword by Geoffrey Winthrop-Young
Publisher University of Minnesota Press, 2010
Posthumanities series, 12
ISBN 9780816658992
272 pages

Reviews and commentaries: Levi R. Bryant (2010), Robert Geroux (Humanimalia, 2012), Franklin Ginn (Science as Culture, 2013).

Streifzüge durch die Umwelten von Tieren und Menschen (German, 1934)
Streifzüge durch die Umwelten von Tieren und Menschen. Bedeutungslehre (German, 1934/1956)
A Stroll Through the Worlds of Animals and Men (English, trans. Claire H. Schiller, 1957)
A Stroll Through the Worlds of Animals and Men (English, trans. Claire H. Schiller, 1957/1992)
Mondes animaux et monde humain suivi de La théorie de la signification (French, trans. Philippe Muller, 1965)
A Foray Into the Worlds of Animals and Humans, with a Theory of Meaning (English, trans. Joseph D. O’Neil, 2010)

See also chapters 10-11 of Agamben’s The Open: Man and Animal: Umwelt; Tick (2002/2004)

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