See This Sound: Versprechungen von Bild und Ton / Promises in Sound and Vision (2010) [German/English]

“As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a large number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others.”

With essays by Helmut Draxler, Diedrich Diederichsen, Gabriele Jutz, Liz Kotz, Heidi Grundmann, Christian Höller, Dieter Daniels, and Manuela Ammer.

Edited by Cosima Rainer, Stella Rollig, Dieter Daniels and Manuela Ammer
Publisher Walther König, Cologne, 2010
ISBN 3865606830, 9783865606839
320 pages

Exhibition website and archive

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Katherine Hirt: When Machines Play Chopin: Musical Spirit and Automation in Nineteenth-Century German Literature (2010)

“When Machines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. This book looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art.”

Publisher De Gruyter, 2010
Interdisciplinary German Cultural Studies series, 8
ISBN 3110232405, 9783110232400
170 pages
via alcibiades_socrates

Abstract of the thesis (2008)

Publisher

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Victor Coelho (ed.): Music and Science in the Age of Galileo (1992)

“Music and Science in the Age of Galileo features twelve essays by leading specialists in the fields of musicology, history of science, astronomy, philosophy, and instrument building that explore the relations between music and the scientific culture of Galileo’s time. The essays take a broad historical approach towards understanding such topics as the role of music in Galileo’s experiments and in the scientific revolution, the musical formation of scientists, Galileo’s impact on the art and music of his time, the scientific knowledge of instrument builders, and the scientific experiments and cultural context of Galileo’s father, Vincenzo Galilei. This volume opens up new areas in both musicology and the history of science, and twists together various strands of parallel work by musicians and scientists on Galileo and his time.”

Publisher Kluwer, Dordrecht, 1992
Reprinted by Springer, 1992
The Western Ontario Series in Philosophy of Science series, Volume 51
ISBN 9789048142187
247 pages

Review (Rhonda Martens, Journal for the History of Astronomy, 1997)

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