Walter Gropius, L. Moholy-Nagy (eds.): Bauhaus Books, 10 vols. (1925–1930) [German]

1. Walter Gropius, Internationale Architektur, 1925, 111 pp.
2. Paul Klee, Pädagogisches Skizzenbuch, 1925, 50 pp.
4. Die Bühne am Bauhaus, 1925, 84 pp.
7. Walter Gropius (ed.), Neue Arbeiten der Bauhauswerkstäffen, 1925, 115 pp.
8. L. Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, 140 pp.
9. Kandinsky, Punkt und Linie zu Fläche: Beitrag zur Analyse der malerischen Elemente, 1926, 190 pp.
10. J.J.P. Oud, Holländische Architektur, 1929, 107 pp.
11. Kasimir Malewitsch, Die gegenstandslose Welt, 1927, 104 pp.
12. Walter Gropius, Bauhausbauten Dessau, 1930, 221 pp.
14. László Moholy-Nagy, Von Material zur Architektur, 1929, 241 pp.

Publisher Albert Langen, Munich, 1925-1930
via Bibliothèque Kandinsky

Download all 10 volumes through Monoskop wiki

eContact! 15(4): Videomusic: Overview of an Emerging Art Form (2014) [English, French]

Videomusic is a field of practice that could be seen as a subset of visual music, a term which can be considered today to be familiar enough to speak for itself. This broader area of artistic activity includes digital work, cinema, painting and visual “instruments”, and dates back at least to the 18th century.

Contributions by Maura McDonnell, Patrick Saint-Denis, Inés Wickmann, Joseph Hyde and Jean Piché, Laurie Radford, Nicolas Wiese, Claudia Robles-Angel, Diego Garro, Andrew Lewis, Jon Weinel and Stuart Cunningham, and David Candler. Interviews by Bob Gluck with Mario Davidovsky, Alfredo Del Mónaco and Sergio Cervetti, alcides lanza, and Edgar Valcárcel.

Editor jef chippewa
Publisher Canadian Electroacoustic Community, Montreal, April 2014

View online (English, HTML articles)
View online (French, HTML articles)

Margaret A. Rose: Marx’s Lost Aesthetic: Karl Marx and the Visual Arts (1984)

“This book offers an original and challenging study of Marx’s contact with the visual arts, aesthetic theories, and art policies in nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marx’s views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marx’s own time. Dr Rose begins her work by discussing Marx’s planned treatise on Romantic art of 1842 against the background of the philosophical debates, cultural policies, and art practices of the 1840s, and looks in particular at the patronage given to the group of German artists known as the ‘Nazarenes’ in those years, who are discussed in relation to both the English Pre-Raphaelites, popular in the London known to Marx, and to the Russian Social Realists of the 1860s. The author goes on to consider claims of twentieth-century Marxist art theories and practices to have represented Marx’s own views on art. The book the conflicting claims made on Marx’s views by the Soviet avant-garde Constructivists of the 1920s and of the Socialist Realists who followed them are considered, and are related back to the aesthetic theories and practices discussed in the earlier chapters.”

Publisher Cambridge University Press, 1984
ISBN 0521369797, 9780521369794
216 pages
via Charles, in the Unlimited Edition

Reviews and commentaries: Genet-Delacroix Marie-Claude (Annales. Économies, Sociétés, Civilisations, 1986, FR), Harold E. Maha (History of European Ideas, 1987), Eugene Hirschfeld (2010).

Publisher

PDF (25 MB, no OCR)
See also the entry on Marxist aesthetics on Monoskop wiki.