Stamatia Portanova: Moving without a Body: Digital Philosophy and Choreographic Thoughts (2013)

26 February 2015, dusan

“Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software’s capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become.

Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.”

Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018926, 9780262018920
200 pages

Reviews: Donnarumma (Mute, 2014), Murphy (Afterimage, 2014), Thain (Digicult).

Publisher
WorldCat

PDF (11 MB)

Tristan Garcia: Form and Object: A Treatise on Things (2011–)

19 February 2015, dusan

“What is a thing? What is an object? Tristan Garcia aims to overturn 100 years of Heideggerian orthodoxy about the supposedly derivative nature of objects to put forward a new theory of ontology that gives us new insights into the world and our place in it.

Garcia’s original and systematic formal ontology of things strips them of any determination, intensity or depth. From this radical ontological poverty, he develops encyclopaedic regional ontologies of objects. By covering topics as diverse as the universe, events, time, the living, animals, human beings, representation, arts and rules, culture, history, political economy, values, classes, genders, ages of life and death, he shows that speculative metaphysics and ontology are alive and well.”

First published as Forme et objet. Un traité des choses, PUF, Paris, 2011.

Translated by Jon Cogburn and Mark Allan Ohm
Publisher Edinburgh University Press, 2014
ISBN 0748681493, 9780748681495
462 pages

On Graham Harman’s System and My Own by Garcia (2013), Harman’s response.
Interviews with Garcia: by Liam Jones (Figure/Ground, 2014), Philosophical Readings (2014).
Reviews and commentaries: Jean-Clet Martin (2012, FR, ES), Harman (Continent, 2012), Nathan Brown (Radical Philosophy, 2014).

Wikipedia (FR)
Publisher
WorldCat

PDF, PDF (updated on 2018-5-8)

Gyorgy Kepes (ed.): The Man-Made Object (1966)

20 March 2014, dusan

Between 1965 and 1966, New York book publisher George Braziller published a six volume series under the title Vision + Value, edited by renowned artist, designer and M.I.T. professor, Gyorgy Kepes.

The aim of the series, “…to stimulate the circulation of ideas, to find channels of communication that interconnect various disciplines and offer us a sense of structure in our 20th century world…,” encouraged interdisciplinary cooperation and sought to bring together the day’s foremost artists, scientists and scholars.

This volume presents a general evaluation of the man-made object as an important environmental factor in the shaping of the mores, feelings, and values. The man-made object, from ornamental trifles to large scale buildings, is here considered not only for its formal and aesthetic aspects, but also for its psychological and sociological impact.

Contributions by Gillo Dorfles, Herbert Read, Joan M. Erikson, Kazuhiko Egawa, Michael J. Blee, Marshall McLuhan, Christopher Alexander, Leonardo Ricci, Marcel Breuer, Theodore M. Brown, Jean Hélion, Henry S. Stone, Jr., Frederick S. Wright, Dore Ashton, Françoise Choay.

Publisher George Braziller, New York, 1966
Vision + Value Series, 5
230 pages

PDF (51 MB, no OCR)

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