Vanessa Place, Robert Fitterman: Notes on Conceptualisms (2009)
Filed under book | Tags: · appropriation, conceptual art, conceptual writing, flarf, language, literary theory, literature, poetics, poetry, sampling, writing
“What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism, where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a “thinkership” that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. We have co-authored this text through correspondence, shared reading interests, and similar explorations. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate.”
Publisher Ugly Duckling Presse, Brooklyn, NY, 2009
Open Access
ISBN 9781933254463
78 pages
Commentary: Ron Silliman (2009).
Reviews: Thom Donovan (BOMB, 2009), Christopher Higgs (Chapbook Review, 2009), Karla Kelsey (Octopus Magazine, c2010), Ken L. Walker (Coldfront, 2010), John Bloomberg-Rissman (Galatea Resurrects 16, 2011), Alethia Alfonso (Notas, 2011, ES), Joel Kopplin & Kurt Milberger (HTML Giant, 2013).
Dialogue between Vanessa Place and Tania Ørum (Jacket2, 2012)
Georges Perec: Species of Spaces and Other Pieces (1974–) [FR, DE, EN, ES, GR, CR, RU]
Filed under book | Tags: · literature, oulipo, space, writing
Georges Perec produced some of the most entertaining essays of the age. His literary output was deliberately varied in form and style and this selection of Perec’s non-fictional work also demonstrates his characteristic lightness of touch, wry humour and accessibility.
Publisher Galilée, Paris, 1974
125 pages
English edition
Edited with an Introduction and Translated by John Sturrock
Publisher Penguin, 1998
ISBN 0140189866, 9780140189865
96 pages
via thecryingroom
WorldCat (EN)
Espèces d’espaces (French, DJVU, 1974/1985, updated on 2019-10-11)
Träume von Räumen (German, trans. Eugen Helmlé, 1994, 14 MB, Scribd, updated on 2019-10-11)
Species of Spaces and Other Pieces (English, trans. John Sturrock, 1998)
Especies de espacios (Spanish, trans. Jesús Camarero, 1999/2001)
Χορείες χώρων (Greek, trans. Αχιλλέας Κυριακίδης, 2000)
Vrste prostora (Croatian, trans. Petra Matić, 2005, 43 MB, Scribd)
Prosto prostranstva: Dnevnik polzovatelya (Russian, trans. Valeriy Kislov, 2012, updated on 2019-10-11)
Frederick G. Kilgour: The Evolution of the Book (1998)
Filed under book | Tags: · book, codex, e-book, history of technology, hypertext, library, networks, paper, print, publishing, technology, writing
A concise book by the professor in library and information science who, in the late 1960s, helped to establish the Online Computer Library Center (OCLC), a worldwide consortium of library databases.
Writing from the perspective of history of technology, Kilgour investigates the book’s three discrete forms–the clay tablet, papyrus roll, and codex–before turning to the electronic book.
Publisher Oxford University Press, New York, 1998
ISBN 0195118596, 9780195118599
180 pages
Review (Robert J. Brugger, Technology and Culture, 2001)
Review (Bruce Whiteman, Huntington Library Quarterly, 1998)
PDF (12 MB)
Comment (0)