Gordon Matta-Clark, Carol Goodden, Tina Girouard: Food (2000) [English/German]

An out of print and hard to find exhibition catalog devoted to FOOD, a collaborative artist-run restaurant in Soho, New York City, founded by artists Gordon Matta-Clark, Carol Goodden and Tina Girouard in 1971.

“For a long time, one or another artist, frequently Gordon, cooked up a storm and served it for dinner. There was no choice of what to eat. Some of the food was extremely creative. Although it was not exactly the same thing as 112, most of the same people cooked and ate there and in a sense it was a spin-off of the space around the corner. Of course it has been thought that Food would make money but on the contrary it only lost it.” Caroline Goodden

“We spread money to the whole art world. I worked at Food two and a half to three days a week. One day a week each person was boss. There was lots of Cajun and Creole cuisine, mostly from Louisiana. A lot of the food came from Phil Glass’ group, the vegetarian group; the dancers, Rachel Lew and Suzy Harris. The space was designed so that the audience–the customers–could watch everything. Food became the vehicle for people to be introduced to the art world.” Tina Girouard

“In honor of Food, this publication is presented in the form of a restaurant menu, and documents the artist’s varied and imaginative work, including sculptures, film stills, and photos.”

Publisher Walther König, Cologne, and Cornerhouse, Manchester, 2000
ISBN 3883754358, 9783883754352
48 pages
via Public Collectors

Wikipedia
Interview about FOOD with Richard Nonas (2009)

Exhibition
WorldCat

PDF, PDF (11 MB)

See also a film about FOOD directed by Robert Frank, 1972, 43 min, on UbuWeb.

Joseph Needham, et al.: Science and Civilisation in China, 7 vols. (1954–2008)

“Science and Civilisation in China is recognised as one of the most remarkable works of scholarship in the twentieth century. Originally proposed as a single volume of 600 to 800 pages, the project now encompasses seventeen books published under the direct supervision of Joseph Needham, from the first volume which appeared in 1954, through to volume 6.3 which was in press at the time of his death in 1995. The preparation and publishing of further volumes is ongoing. Responsibility for the commissioning and approval of work for publication in the series is now taken by the Publications Board of the Needham Research Institute, under the chairmanship of Dr C. Cullen, who acts as general editor of the series.”

The published volumes reflect Needham’s vision of the field of the history of science and its social background in China, and his aim to make Chinese achievements in science and technology better understood. The series was on the Modern Library Board’s 100 Best Nonfiction books of the 20th century.

Publisher Cambridge University Press

Review (Robert Finlay, Journal of World History, 2000)
Review (Marta E. Hanson, Early Science and Medicine, 2007)
Simon Winchester on Joseph Needham, video, 57 min (via अवनिचर अवनिचर)

wikipedia
publisher
Needham Research Institute

Vol. 1: Introductory Orientations, With the Research Assistance of Wang Ling, 1954
Vol. 2: History of Scientific Thought, With the Research Assistance of Wang Ling, 1956
Vol. 3: Mathematics and the Sciences of the Heavens and Earth, With the Collaboration of Wang Ling, 1959

Physics and Physical Technology
Vol. 4-1: Physics, With the Collaboration of Wang Ling; and the Special Co-operation of Kenneth Robinson, 1962
Vol. 4-2: Mechanical Engineering, With the Collaboration of Wang Ling, 1965
Vol. 4-3: Civil Engineering and Nautics, With the Collaboration of Wang Ling and Lu Gwei-Djen, 1971

Chemistry and Chemical Technology
Vol. 5-1: Paper and Printing, By Tsien Tsuen-Hsuin, 1985
Vol. 5-2: Spagyrical Discovery and Invention: Magisteries of Gold and Immortality, With the Collaboration of Lu Gwei-Djen, 1974
Vol. 5-3: Spagyrical Discovery and Invention: Historical Survey, from Cinnabar Elixirs to Synthetic Insulin, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen, 1976
Vol. 5-4: Spagyrical Discovery and Invention: Apparatus, Theories and Gifts, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen; and a Contribution by Nathan Sivin, 1980
Vol. 5-5: Spagyrical Discovery and Invention: Physiological Alchemy, With the Collaboration of Lu Gwei-Djen, 1983
Vol. 5-6: Military Technology: Missiles and Sieges, With Robin D.S. Yates, Krzysztof Gawlikowski, Edward McEwen, Wang Ling, 1994
Vol. 5-7: Military Technology: The Gunpowder Epic, With the Collaboration of Ho Ping-Yü (Ho Peng Yoke), Lu Gwei-Djen, and Wang Ling, 1987
Vol. 5-8: Not yet published
Vol. 5-9: Textile Technology: Spinning and Reeling, By Dieter Kuhn, 1988
Vol. 5-10: Not yet published
Vol. 5-11: Ferrous Metallurgy, By Donald B. Wagner, 2008
Vol. 5-12: Ceramic Technology, By Rose Kerr and Nigel Wood; With Contributions by Ts’ai Mei-fen and Zhang Fukang; Edited by Rose Kerr, 2004
Vol. 5-13: Mining, By Peter J. Golas, 1999

Biology and Biological Technology
Vol. 6-1: Botany, With the Collaboration of Lu Gwei-Djen, and a Special Contribution by Huang Hsing-Tsung, 1986
Vol. 6-2: Agriculture, By Francesca Bray, 1984
Vol. 6-3: Agro-Industries and Forestry, By Christian A. Daniels and Nicholas K. Menzies, 1996
Vol. 6-4: Not yet published
Vol. 6-5: Fermentations and Food Science, By Huang Hsing-Tsung, 2000
Vol. 6-6: Medicine, With the Collaboration of Lu Gwei-Djen; Edited and With an Introduction by Nathan Sivin, 2000

Vol. 7-1: Language and Logic, By Christoph Harbsmeier; Edited by Kenneth Robinson, 1998
Vol. 7-2: General Conclusions and Reflections, With the Collaboration of Kenneth Robinson and Ray Huang (Huang Jen-Yu); With an Introduction by Mark Elvin; Edited by Kenneth Robinson, 2004

(PDFs removed on 2019-5-15 and 2019-6-21 upon request from publisher)

Linda M. Montano (ed.): Performance Artists Talking in the Eighties: Sex, Food, Money/Fame, Ritual/Death (2000)

“Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community.

Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.”

Publisher University of California Press, 2000
ISBN 0520210220, 9780520210226
537 pages

Publisher

PDF