Angel Rama: The Lettered City (1984–) [Spanish, English]

“Angel Rama’s La ciudad letrada was published in 1984, shortly after he had died in a plane accident in Spain. Since then, it has quickly established itself as one of the most daring, perspicacious and innovative analyses of Latin American history, literature and political culture. However, because it was not completed due to his untimely death, the book was an incomplete synthesis of several decades of literary criticism and history. Even if Rama had not written La ciudad letrada, his place on the canon of Latin American letters would have been secured by his pioneering work on intra-American comparative literary studies. Rama, appropriating a term from Cuban anthropologist Fernando Ortiz, introduced into Latin American literary studies the term ‘transculturation’, which sought to conceptualize the interaction between indigenous, criollo and mestizo cultures in Latin America, and in this way he gave a hermeneutic key for unlocking many key texts of Latin American letters.

Rama’s book is surely about letters, literature and writing, but it is also about cities, space, spatialization and the relationship between the syntax of languages and the order of space. The book is, in fact, what one may call a philosophical-historical-cultural essay that uses literature and the ‘writer’–el letrado–to elaborate a wide-ranging interpretative thesis about Latin America as a cultural unit. Its genre is thus not a literary theory, comparative literature, or even cultural studies, even if it contributes to these. In German one calls this genre Geistesgeschichte, which is neither a spiritual nor an intellectual history, but rather a history of the animating logic of a culture.” (from a review by Eduardo Mendieta, City, 2006)

First published by Ediciones del Norte, Hanover/NH, 1984
With an Introduction by Hugo Achugar
Publisher Arca, Montevideo, 1998
ISBN 9974400244
126 pages

English edition
Translated and with an Introduction by John Charles Chasteen
Publisher Duke University Press, 1996
ISBN 0822317575, 9780822317579
141 pages
via Oral Majority

Commentary (Cora Gorman Malone, 2010, in EN)
Commentary (Brantley Nicholson, 2011, in EN)

Publisher (EN)

La ciudad letrada (Spanish, 1984/1998, 6 MB, no OCR)
The Lettered City (English, pages 40 and 56 missing, 1996, 9 MB, no OCR)

Hillel Schwartz: The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles, 2nd ed. (1996/2013)

The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra—counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries, not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic repro­duction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves.

This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with proglems of authenticity, identity, and originality.

First published in 1996
Publisher Zone Books, New York, 2013
ISBN 1935408453, 9781935408451
480 pages

Review (Terence Hawkes, London Review of Books, 1997)
Review (Francis Kane, The New York Times, 1997)
Review (Todd Gitlin, Los Angeles Times, 1997)

Publisher
Google books

Download (removed on 2014-3-20 upon request of the publisher)

François Dosse: History of Structuralism, 2 vols. (1991–) [BR-PT, EN, ES]

“Claude Lévi-Strauss, Roland Barthes, Jacques Lacan, Louis Althusser, Jacques Derrida, and Michel Foucault—the ideas of this group of French intellectuals who propounded structuralism and poststructuralism have had a profound impact on disciplines ranging from literary theory to sociology, from anthropology to philosophy, from history to psychoanalysis. In this long-awaited translation, History of Structuralism examines the thinkers who made up the movement, providing a fascinating elucidation of a central aspect of postwar intellectual history.

François Dosse tells the story of structuralism from its beginnings in postwar Paris, a city dominated by the towering figure of Jean-Paul Sartre. The work of Saussure became the point of departure for a group of younger scholars, and the outcome was not only the doom of Sartre as intellectual leader but the birth of a movement that would come to reconfigure French intellectual life and would eventually reverberate throughout the Western world.

Dosse provides a readable, intelligible overall account, one that shows the interrelationship among the central currents of structuralism and situates them in context. Dosse illuminates the way developments in what are usually distinct fields came to exert such influence on each other, showing how the early structuralists paved the way for later developments and for recent discourses such as postmodernism. The cast of characters related by Dosse includes those mentioned above as well as Roman Jakobson, Julia Kristeva, Pierre Bourdieu, Gilles Deleuze, Félix Guattari, Tzvetan Todorov, and many others. Chapters are devoted to major figures, and Dosse has done extensive interviews with the major and minor figures of the movement, furnishing an intellectual history in which historical players look back at the period.

This first comprehensive history of the structuralist movement is an essential guide to a major moment in the development of twentieth-century thought, one that provides a cogent map to a dizzying array of personalities and their ideas. It will be compelling reading for those interested in philosophy, literary theory, sociology, anthropology, linguistics, and psychoanalysis.”

First published in French as Histoire du structuralisme, Éditions La Découverte, Paris, 1991, 1992

English edition
Translated by Deborah Glassman
Publisher University of Minnesota Press, 1997
ISBN 0816622418, 9780816622412 & 0816623716, 9780816623716
488 & 534 pages

Publisher (EN)

História do estruturalismo I (BR-Portuguese, trans. Álvaro Cabral, 1993, added on 2024-1-20)
História do estruturalismo II (BR-Portuguese, trans. Álvaro Cabral, 1994, added on 2024-1-20)

History of Structuralism, 1: The Rising Sign, 1945-1966 (English, trans. Deborah Glassman, 1997, via falsedeity)
History of Structuralism, 2: The Sign Sets, 1967-Present (English, trans. Deborah Glassman, 1997)

Historia del estructuralismo I (Spanish, trans. María del Mar Llinares, 2004)
Historia del estructuralismo II (Spanish, trans. María del Mar Llinares, 2004)