Christoph Cox, Daniel Warner (eds.): Audio Culture: Readings in Modern Music (2004/2017)

“Audio Culture maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, the book traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.

Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno. Instead of focusing on the putative “crossover” between “high art” and “popular culture,” Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another.

Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction.”

Publisher Continuum, September 2004
Second, revised edition, Bloomsbury, 2017
ISBN 9781501318351, 1501318357
xviii+646 pages

Reviews: Ian Whalley (Computer Music Journal, 2005), Christopher DeLaurenti (eContact!, 2006), Dene Grigar (Leonardo, 2005), Clemens Gresser (Tempo, 2005), Gregory Taylor (Cycling74, 2018).

Publisher
WorldCat

PDF, PDF (updated on 2021-2-6)
EPUB, EPUB (updated on 2021-2-6)

Eglė Rindzevičiūtė: The Power of Systems: How Policy Sciences Opened Up the Cold War World (2016)

“In The Power of Systems, Eglė Rindzevičiūtė introduces readers to one of the best-kept secrets of the Cold War: the International Institute of Applied Systems Analysis (IIASA), an international think tank established by the U.S. and Soviet governments to advance scientific collaboration. From 1972 until the late 1980s IIASA in Austria was one of the very few permanent platforms where policy scientists from both sides of the Cold War divide could work together to articulate and solve world problems. This think tank was a rare zone of freedom, communication, and negotiation, where leading Soviet scientists could try out their innovative ideas, benefit from access to Western literature, and develop social networks, thus paving the way for some of the key science and policy breakthroughs of the twentieth century.

Ambitious diplomatic, scientific, and organizational strategies were employed to make this arena for cooperation work for global change. Under the umbrella of the systems approach, East-West scientists co-produced computer simulations of the long-term world future and the anthropogenic impact on the environment, using global modeling to explore the possible effects of climate change and nuclear winter. Their concern with global issues also became a vehicle for transformation inside the Soviet Union. The book shows how computer modeling, cybernetics, and the systems approach challenged Soviet governance by undermining the linear notions of control on which Soviet governance was based and creating new objects and techniques of government.”

Publisher Cornell University Press, Ithaca, NY, 2016
Creative Commons BY-NC-ND 4.0 International License
ISBN 9781501703188, 1501703188
xi+292 pages

Reviews: Roundtable: Barbara Czarniawska, Jenny Andersson, Claudia Aradau, Paul Rubinson, author’s response (H-Diplo, 2019), Kristine C. Harper (Isis, 2018), Benjamin Peters (Slavic Review, 2019), Gerald Easter (American Historical Review, 2018), Jeanne Morefield (J History of Ideas, 2020), Laurent Coumel (Cahiers du monde russe, 2018, FR), Una Bergmane (Lithuanian Historical Studies, 2018), Christian Dayé (Serendipities, 2018).

Publisher, (2)
OAPEN
WorldCat

PDF (19 MB)

Avery F. Gordon: The Hawthorn Archive: Letters from the Utopian Margins (2018)

“The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects.

In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge.

Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.”

Publisher Fordham University Press, 2018
ISBN 0823276325, 9780823276325
xii+472 pages

Interview with author: Krystian Woznicki (transversal, 2019).

Review: Eddie Bruce-Jones (Race & Class, 2019).

Publisher
WorldCat

PDF (46 MB)