Anna McWilliams: An Archaeology of the Iron Curtain: Material and Metaphor (2013)

The Iron Curtain was seen as the divider between East and West in Cold War Europe. The term refers to a material reality but it is also a metaphor; a metaphor that has become so powerful that it tends to mark our historical understanding of the period. Through the archaeological study of three areas that can be considered part of the former Iron Curtain, the Czech-Austrian border, the Italian-Slovenian border and the Berlin Wall, this research investigates the relationship between the material and the metaphor of the Iron Curtain.

“This work falls within what is usually referred to as contemporary archaeology, a fairly young sub-discipline of archaeology. Few large research projects have so far been published, and methods have been described as still somewhat experimental. Through the fieldwork it has been possible to acknowledge and highlight the problems and opportunities within contemporary archaeology. It has become clear how the materials stretch both through time and place demonstrating the complex process of how the material that archaeologists investigate can be created.”

Publisher Södertörns högskola, Stockholm, 2013
Open Access
ISBN 9789186069780
239 pages

Publisher

PDF (6 MB)

Douglas Kahn: Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (2013)

“Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others.”

Publisher University of California Press, 2013
ISBN 0520956834, 9780520956834
343 pages

Reviews: Alessandro Ludovico (Neural, 2013), Christopher Haworth (Organised Sound, 2015), Adam Trainer (Continuum, 2015).

Publisher

PDF (removed on 2014-3-19 upon request of the publisher)

Jeff Nuttall: Bomb Culture (1968/1970)

“Jeff Nuttall’s book, Bomb Culture, an idiosyncratic and semi-auto-biographical account of the build-up to 1968, was written in 1967 and first published just before May 1968. It remains a key primary source for the emergence of international counter-culture in the 1960s. Nuttall played a key role in the London underground scene and coordinated a network of connections with European and American avant-gardes through correspondence and the instigation of a number of small journals and pamphlets, publishing William Burroughs, Dom Sylvester Houédard, Carl Weissner and Michael McLure in his My Own Mag between 1964-67. Through a diverse body of practices, Nuttall – a performance artist and poet – advocated the insurrectionary power of spontaneity and persistently articulated a connection between the power of the imagination and collective revolutionary political consciousness.” (Gillian Whiteley, 2008)

First published by MacGibbon & Kee, 1968
Publisher Paladin, London, 1970; 1972 reprint
252 pages
via filboid

Interview with the author (John May, 1984)
Wikipedia

PDF (no OCR)