Friedrich Kittler: The Truth of the Technological World: Essays on the Genealogy of Presence (2013–) [DE, EN]
Filed under book | Tags: · antiquity, computing, cybernetics, film, information theory, literary theory, literature, media, media technology, media theory, noise, philosophy, psychoanalysis, software, sound recording, technology, telegraphy, theory, typewriter, war, writing
“Few German scholars in the past 50 years have had such a lasting impact on the cultural situation of our time, including its academic institutions, as Friedrich Kittler. It is in large part due to his writings that the radio, the gramophone, and the computer are not just objects of cultural fascination, but also of philosophical reflection.
This volume contains a collection of essays written by Kittler over the course of 40 years which serve as a testament to the enormous breadth, intensity, and the singular creativity of his thought.”
German edition
Edited and with an Afterword by Hans Ulrich Gumbrecht
Publisher Suhrkamp, Berlin, 2013
ISBN 9783518732984
432 pages
English edition
Translated by Erik Butler
Publisher Stanford University Press, 2014
ISBN 9780804792622
400 pages
Reviews: Oliver Jahraus (zfm, 2014), Stavros Arabatzis (Weimarer Beiträge, 2014).
Publisher (DE)
Publisher (EN)
Worldcat (DE)
Worldcat (EN)
Die Wahrheit der technischen Welt (German, EPUB, updated on 2019-11-2)
The Truth of the Technological World (English, updated on 2019-11-2)
Trevor Pinch, Karin Bijsterveld (eds.): The Oxford Handbook of Sound Studies (2011)
Filed under book | Tags: · acoustics, computing, data visualisation, electronic music, field recording, game studies, hip hop, listening, medicine, music, noise, perception, phonograph, radio, science, sonification, sound, sound design, sound recording, sound studies, vision
“Written by the leading scholars and researchers in the emerging field of sound studies, The Oxford Handbook of Sound Studies offers new and fully engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across an impressively broad range of historical periods and national and cultural contexts.
Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical technologies such as slides, graphs, and telescopes. This book questions that notion powerfully by showing how listening has contributed to scientific practice. Sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the authors argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through an extraordinarily diverse set of case studies, authors illustrate how sounds — from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology — give rise to new forms listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and the “end” of the amateur musician that stem from the spread and appropriation of new sound- and music-related technologies, analog and digital, in many domains of life.”
Publisher Oxford University Press, 2011
ISBN 0199995818, 9780195388947
624 pages
Reviews: John F. Barber (Leonardo, 2012), Bruce Johnson (Popular Music, 2013), William Cheng (Journal of the American Musicological Society, 2014).
Comment (0)John M. Picker: Victorian Soundscapes (2003)
Filed under book | Tags: · 1800s, acoustics, history of literature, listening, literature, music, noise, phonograph, recording, silence, sound, sound recording, united kingdom, voice
“Far from the hushed restraint we associate with the Victorians, their world pulsated with sound. This book shows how, in more ways than one, Victorians were hearing things. The representations close listeners left of their soundscapes offered new meanings for silence, music, noise, voice, and echo that constitute an important part of the Victorian legacy to us today. In chronicling the shift from Romantic to modern configurations of sound and voice, Picker draws upon literary and scientific works to recapture the sense of aural discovery figures such as Babbage, Helmholtz, Freud, Bell, and Edison shared with the likes of Dickens, George Eliot, Tennyson, Stoker, and Conrad.”
Publisher Oxford University Press, 2003
ISBN 0195151917, 9780195151916
220 pages
PDF, PDF (updated on 2017-3-2)
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