Shamil Jeppie, Souleymane Bachir Diagne (eds.): The Meanings of Timbuktu (2008)

In a joint project between South Africa and Mali, a library to preserve more than 200 000 Arabic and West African manuscripts dating from the 13th to the 19th centuries is currently under construction. It is the first official cultural project of the New Partnership for Africa’s Development (Nepad), the socio-economic development plan of the African Union, and when the library is built, the cultural role of Timbuktu will be revived, as it becomes the safehaven for the treasured manuscripts. The manuscripts prove that Africa had a rich legacy of written history, long before western colonisers set foot on the continent.

This volume, authored by leading international scholars, begins to sketch the ‘meaning’ of Timbuktu within the context of the intellectual history of West Africa, in particular, and of the African continent, in general. The book covers four broad areas: Part I provides an introduction to the region; outlines what archaeology can tell us of its history, examines the paper and various calligraphic styles used in the manuscripts; and explains how ancient institutions of scholarship functioned. Part II begins to analyse what the manuscripts can tell us of African history. Part III offers insight into the lives and works of just a few of the many scholars who achieved renown in the region and beyond. Part IV provides a glimpse into Timbuktu’s libraries and private collections. Part V looks at the written legacy of the eastern half of Africa, which like that of the western region, is often ignored.

A fascinating read for anyone who wishes to gain an understanding of the aura of mystique and legend that surrounds Timbuktu. The Meanings of Timbuktu strives to contextualize and clarify the importance of efforts to preserve Timbuktu’s manuscripts for Mali, for Africa and for the intellectual world.

Publisher HSRC, Cape Town, in association with CODESRIA, Dakar, 2008
Open Access
ISBN 0796922047, 139780796922045
416 pages

Review (David Robinson, H-SAfrica, 2009)

Publisher (HSRC)
Publisher (CODESRIA)

PDF (single PDF)
PDF (PDF chapters)

Craig Dworkin: No Medium (2013)

(photo source)

“In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object.

Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau’s Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg’s Erased De Kooning Drawing to the artist Nick Thurston’s erased copy of Maurice Blanchot’s The Space of Literature (in which only Thurston’s marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage’s 4’33”, Dworkin links Cage’s composition to Rauschenberg’s White Paintings, Ken Friedman’s Zen for Record (and Nam June Paik’s Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music.

Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.”

Publisher MIT Press, 2013
ISBN 0262018705, 9780262018708
219 pages

Interview with the author (Critical Margins)
Author’s lecture at Penn Poetry & Poetics (video, 19 min)

Reviews: Johanna Drucker (Los Angeles Review of Books), Michael Leong (Hyperallergic).
Commentary: Richard Marshall (3:AM Magazine).

Publisher

EPUB

Joseph Needham, et al.: Science and Civilisation in China, 7 vols. (1954–2008)

“Science and Civilisation in China is recognised as one of the most remarkable works of scholarship in the twentieth century. Originally proposed as a single volume of 600 to 800 pages, the project now encompasses seventeen books published under the direct supervision of Joseph Needham, from the first volume which appeared in 1954, through to volume 6.3 which was in press at the time of his death in 1995. The preparation and publishing of further volumes is ongoing. Responsibility for the commissioning and approval of work for publication in the series is now taken by the Publications Board of the Needham Research Institute, under the chairmanship of Dr C. Cullen, who acts as general editor of the series.”

The published volumes reflect Needham’s vision of the field of the history of science and its social background in China, and his aim to make Chinese achievements in science and technology better understood. The series was on the Modern Library Board’s 100 Best Nonfiction books of the 20th century.

Publisher Cambridge University Press

Review (Robert Finlay, Journal of World History, 2000)
Review (Marta E. Hanson, Early Science and Medicine, 2007)
Simon Winchester on Joseph Needham, video, 57 min (via अवनिचर अवनिचर)

wikipedia
publisher
Needham Research Institute

Vol. 1: Introductory Orientations, With the Research Assistance of Wang Ling, 1954
Vol. 2: History of Scientific Thought, With the Research Assistance of Wang Ling, 1956
Vol. 3: Mathematics and the Sciences of the Heavens and Earth, With the Collaboration of Wang Ling, 1959

Physics and Physical Technology
Vol. 4-1: Physics, With the Collaboration of Wang Ling; and the Special Co-operation of Kenneth Robinson, 1962
Vol. 4-2: Mechanical Engineering, With the Collaboration of Wang Ling, 1965
Vol. 4-3: Civil Engineering and Nautics, With the Collaboration of Wang Ling and Lu Gwei-Djen, 1971

Chemistry and Chemical Technology
Vol. 5-1: Paper and Printing, By Tsien Tsuen-Hsuin, 1985
Vol. 5-2: Spagyrical Discovery and Invention: Magisteries of Gold and Immortality, With the Collaboration of Lu Gwei-Djen, 1974
Vol. 5-3: Spagyrical Discovery and Invention: Historical Survey, from Cinnabar Elixirs to Synthetic Insulin, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen, 1976
Vol. 5-4: Spagyrical Discovery and Invention: Apparatus, Theories and Gifts, With the Collaboration of Ho Ping-Yü and Lu Gwei-Djen; and a Contribution by Nathan Sivin, 1980
Vol. 5-5: Spagyrical Discovery and Invention: Physiological Alchemy, With the Collaboration of Lu Gwei-Djen, 1983
Vol. 5-6: Military Technology: Missiles and Sieges, With Robin D.S. Yates, Krzysztof Gawlikowski, Edward McEwen, Wang Ling, 1994
Vol. 5-7: Military Technology: The Gunpowder Epic, With the Collaboration of Ho Ping-Yü (Ho Peng Yoke), Lu Gwei-Djen, and Wang Ling, 1987
Vol. 5-8: Not yet published
Vol. 5-9: Textile Technology: Spinning and Reeling, By Dieter Kuhn, 1988
Vol. 5-10: Not yet published
Vol. 5-11: Ferrous Metallurgy, By Donald B. Wagner, 2008
Vol. 5-12: Ceramic Technology, By Rose Kerr and Nigel Wood; With Contributions by Ts’ai Mei-fen and Zhang Fukang; Edited by Rose Kerr, 2004
Vol. 5-13: Mining, By Peter J. Golas, 1999

Biology and Biological Technology
Vol. 6-1: Botany, With the Collaboration of Lu Gwei-Djen, and a Special Contribution by Huang Hsing-Tsung, 1986
Vol. 6-2: Agriculture, By Francesca Bray, 1984
Vol. 6-3: Agro-Industries and Forestry, By Christian A. Daniels and Nicholas K. Menzies, 1996
Vol. 6-4: Not yet published
Vol. 6-5: Fermentations and Food Science, By Huang Hsing-Tsung, 2000
Vol. 6-6: Medicine, With the Collaboration of Lu Gwei-Djen; Edited and With an Introduction by Nathan Sivin, 2000

Vol. 7-1: Language and Logic, By Christoph Harbsmeier; Edited by Kenneth Robinson, 1998
Vol. 7-2: General Conclusions and Reflections, With the Collaboration of Kenneth Robinson and Ray Huang (Huang Jen-Yu); With an Introduction by Mark Elvin; Edited by Kenneth Robinson, 2004

(PDFs removed on 2019-5-15 and 2019-6-21 upon request from publisher)